R.I.P David Bowie

[Stryder1978]

Why David Bowie Knelt and Said the Lord's Prayer at Wembley Stadium

 

BY BRIDGET JOHNSON JANUARY 13, 2016

CHAT 22 COMMENTS

(Express Newspapers via AP Images)

David Bowie, who died of cancer Sunday at age 69, defied almost every convention over a five-decade roller-coaster journey through multiple music genres, film, art and more.

And there was that time that he knelt and led 72,000 fans in the Our Father during 1992's epic Freddie Mercury tribute concert at Wembley Stadium.

Bowie added the prayer between songs, prefaced with words about remembering those who had died or were ill. He explained the moment to the now-defunct British magazine Arena in a 1993 interview:

I decided to do it about five minutes before I went on stage. Coco [Schwab, Bowie’s long-term personal assistant] and I had a friend called Craig who was dying of AIDS. He was just dropping into a coma that day. And just before I went on stage something just told me to say the Lord’s Prayer. The great irony is that he died two days after the show.

….In rock music, especially in the performance arena, there is no room for prayer, but I think that so many of the songs people write are prayers. A lot of my songs seem to be prayers for unity within myself. On a personal level, I have an undying belief in God’s existence. For me it is unquestionable.

….Looking at what I have done in my life, in retrospect so much of what I thought was adventurism was searching for my tenuous connection with God. I was always investigating, always looking into why religions worked and what it was people found in them. And I was always fluctuating from one set of beliefs to another until a very low point in the mid-Seventies where I developed a fascination with black magic... And although I’m sure there was a satanic lead pulling me towards it, it wasn't a search for evil. It was in the hope that the signs might lead me somewhere.

The year of that concert, 1992, was when Bowie married Somali supermodel Iman, first in a private civil ceremony with no guests in Switzerland followed by a family-filled service at St. James Episcopal Church in Florence, Italy. "I know the forms were signed, but at the back of our minds our real marriage, sanctified by God, had to happen in a church in Florence," Bowie later told Hello! magazine.

The producer of Bowie's last album, the chart-topping Blackstar, said that he created the album as a parting gift for fans. It was released two days before his death, on his 69th birthday. The track "Lazarus" opens, "Look up here, I'm in Heaven." Indeed, in his last photo shoot, the gravely ill singer was radiating happiness.

The last words Iman tweeted before his death: "The struggle is real, but so is God."

[Strider]

^^^That was a moving moment during that Freddie Mercury tribute concert. Thanks for allowing us to revisit that Arena interview.

While picking up his new album Wednesday (the shops were finally restocked with Bowie), I also got the last Bowie Mojo they had in stock.

[badgeholder]

I finally had time to watch this. This is beautiful. 

 

 

 

[apantherfrommd]

https://youtu.be/y-JqH1M4Ya8

An artist to the end, leaving us with a 'Fare Thee Well'. He could even turn death into an art. Amazing!

Bowie is saying goodbye to us in the video for "Lazarus". He appears in a hospital bed, blindfolded with button eyes. It's symbolic of a weakened, end of life condition.

The ghostly girl who comes out of the closet and crawls under the bed is something of a grim reaper. She is death. As she reaches for him, Bowie levitates in the bed... possibly delaying her touch momentarily. He still has some fight in him.

The levitation might also symbolize entering a state in between life to beyond.
We next seen him free of bandages, up and on his feet, looking a little better and bright eyed. He's reviewing memories and important moments from his life. He does a silly little dance and smiles. It was good.

He sits and begins writing a note or letter... the script for this video, the last album? Knowing death is near, he ponders... and then composes his last work. We see the little reaper girl occasionally, apparently allowing him some time to wrap things up... but looking impatient. Once finished with his final composition, he stands and slowly but knowingly, retreats backwards and steps into the closet from the door which death entered... and closes the door. It's over.

RIP David. And may God's love be with you.

....

Why couldn't it have been Justin Bieber?!

[Kiwi_Zep_Fan87]

1 hour ago, apantherfrommd said:

 

Why couldn't it have been Justin Bieber?!

I don't mean to sound morbid or rude or whatever blah blah blah, but when I first received news on David Bowie's death, I thought what the hell are all the punks like Beaver still doing here? Why couldn't it have been one of them? Why David Bowie?! I have been asking myself that question every day, especially since the man was indeed, planning a follow-up album to 'Black Star'  

Anyway, putting all the sadness aside, here is an interview that I was watching last night that really made me smile  

 

 

[apantherfrommd]

40 minutes ago, Kiwi_Zep_Fan87 said:

I don't mean to sound morbid or rude or whatever blah blah blah, but when I first received news on David Bowie's death, I thought what the hell are all the punks like Beaver still doing here? Why couldn't it have been one of them? Why David Bowie?! I have been asking myself that question every day, especially since the man was indeed, planning a follow-up album to 'Black Star'  

Anyway, putting all the sadness aside, here is an interview that I was watching last night that really made me smile  

 

 

 

[apantherfrommd]

I love you to death, Kiwi. Awesome video. That made me laugh. I loved the interview.

Thank ewe so much! That was funny.

Dag on. I didn't know he was planning a follow-up. Really?

[Strider]

21 hours ago, Flares said:

Has Plant released a statement or commented on Bowie's death?

Haven't seen a statement from Plant yet...or Jones, for that matter. Only this tweet from Jimmy Page:

@JimmyPage
Bowie was an innovator, a unique artist with a vision that changed the face of popular music. He is greatly missed. 
5:06 AM - 11 Jan 2016

[slave to zep]

I'm wondering if he suicided in the end.... how could he still be working on the album and film clip and so soon after their release pass away?

Not that it matters.

[Kiwi_Zep_Fan87]

11 hours ago, apantherfrommd said:

I love you to death, Kiwi. Awesome video. That made me laugh. I loved the interview.

Thank ewe so much! That was funny.

Dag on. I didn't know he was planning a follow-up. Really?

Awww...you're very welcome, Andy!  Yeah, sadly David Bowie was indeed planning a follow-up to 'Black Star'!  I read a few articles on line and so that I don't over crowd my reply to you, I will be posting the article for you and others to see. 

P.S

Always wonderful to hear from you. I will be replying to your P.M soon. I am rather hard-pressed for time, at the moment. Thanks for caring and staying in touch, my friend!  

[Kiwi_Zep_Fan87]

David Bowie 'was planning follow-up album to Blackstar'

By PRESS ASSOCIATION

PUBLISHED: 11:12 GMT, 14 January 2016 | UPDATED: 11:13 GMT, 14 January 2016

David Bowie was planning another album before his death, according to his long-time friend and producer, Tony Visconti.

About a week before his death from cancer on January 10, and with his latest album Blackstar nearing release, Bowie called Visconti to say he wanted to make a final album. He had apparently written and demoed five new songs.

Visconti told Rolling Stone: "At that late stage, he was planning the follow-up to Blackstar."

Although he had known since November that the cancer he was privately suffering was terminal, he still hoped for time to record new music.

Visconti said: " I was thrilled, and I thought, and he thought, that he'd have a few months, at least. Obviously, if he's excited about doing his next album, he must've thought he had a few more months."

It has been reported that Bowie was cremated shortly after his death.

The Daily Mirror quoted a "US source" as saying that the singer, who died aged 69 after suffering from cancer for 18 months, was "secretly cremated".

The source said: "There is no public or private service or a public memorial. There is nothing."

The star's spokesman declined to confirm or deny the report.

Bowie will be honoured with a tribute at next month's Brit Awards, as well as a memorial concert at New York's Carnegie Hall on March 31.

Blackstar, released on January 8 to mark his birthday, looks certain to hold on to the number one spot in the charts on Friday.

It is also likely to be his first number one album in the US.

His death has seen an outpouring of grief from the public and from his friends and colleagues, including Madonna, Iggy Pop, Sir Mick Jagger, Tina Turner and Sir Paul McCartney.

Recording a SiriusXM Town Hall special on Wednesday night in front of a small audience, Sir Elton John reportedly broke into a performance of Space Oddity as a tribute to his friend.

He then told moderator David Fricke: "It's so wonderful. We all know how inspiring he is. We all know that his music stands. We don't have to say anything about the music - it speaks for itself.

"He was innovative, he was boundary-changing, and he danced to his own tune - which in any artist is really rare."

He added: "He made two albums without anybody knowing he was making them. He had treatment for his illnesses without anyone knowing or anyone saying anything.

"And that is the mystique of the man, because we know David Bowie the figure, the singer, the outrageous performer but, actually, we don't know anything about him - and that's the way it should be in music and should be in any art form whatsoever.

"They don't make them like that any more. We've lost a huge, huge talent that influenced so many people."

Source : http://www.dailymail.co.uk/wires/pa/article-3399105/David-Bowie-planning-follow-album-Blackstar.html

[Strider]

5 hours ago, slave to zep said:

I'm wondering if he suicided in the end.... how could he still be working on the album and film clip and so soon after their release pass away?

Not that it matters.

This has been the discussion in my circle for the past two weeks...starting with Lemmy's death just two days after the announcement he had cancer.

It was a representative for Jackie Collins who first broached the subject, suggesting that Lemmy might have done what Jackie had done...get her affairs in order and her ducks in a row before going out on her terms with an assisted suicide. Now, with Bowie's almost too-good-to-be-true artistic departure, there is wide thought among us that Bowie orchestrated his death on his terms and that we wasn't going to suffer needlessly withering away for months.

This all points back to Hunter S. Thompson's suicide after his cancer diagnosis. More and more people are realizing that they have the choice of how they want to exit this world...especially people of means.

[Bong-Man]

I was thinking back to when Bowie made his transition to 'The Thin White Duke', and the back-lash of the release of "David Live !' and the 1974 Tour.  It was before my time, but I remember he played at a place called 'The Michigan Palace'.  Some older friends were disappointed at what they saw as a transition to a lounge-lizard.  Remember, he did that before the release of "Young Americans".  Who could have guessed that a year later he would top the pop/rock & soul charts, AND be on "Soul Train".   Already being a fan, that sequence of events was truly amazing.  At the time, "Fame" was as crazy on the ears as "Bohemian Rhapsody" would be when first heard.  You weren't quite sure what it was, but you liked it !  

[Ddladner]

11 hours ago, Kiwi_Zep_Fan87 said:

Anyway, putting all the sadness aside, here is an interview that I was watching last night that really made me smile  

 

 

Nice interview, Kiwi!  A beautiful person truly loving life, and that smile is contagious!!   I love the way he talks about his child, and I can relate to wanting to wake them up in the mornings.   

Here's to a happier week ahead!

 

[Kiwi_Zep_Fan87]

53 minutes ago, Ddladner said:

Nice interview, Kiwi!  A beautiful person truly loving life, and that smile is contagious!!   I love the way he talks about his child, and I can relate to wanting to wake them up in the mornings.   

Here's to a happier week ahead!

 

I thought so too, Debbie! He seems like such a lovely man with a wicked sense of humour! A man in love with his family and his work! This interview did brighten my day and I felt the strong urge to share it with fellow fans. Here's to a much brighter and cheerful week ahead!  

[SteveAJones]

On 1/15/2016 at 9:26 PM, Flares said:

Has Plant released a statement or commented on Bowie's death?

Why would he? Besides, he's been on holiday in Costa Rica.

[SteveAJones]

18 hours ago, apantherfrommd said:

https://youtu.be/y-JqH1M4Ya8

An artist to the end, leaving us with a 'Fare Thee Well'. He could even turn death into an art. Amazing!

Bowie is saying goodbye to us in the video for "Lazarus". He appears in a hospital bed, blindfolded with button eyes. It's symbolic of a weakened, end of life condition.

The ghostly girl who comes out of the closet and crawls under the bed is something of a grim reaper. She is death. As she reaches for him, Bowie levitates in the bed... possibly delaying her touch momentarily. He still has some fight in him.

The levitation might also symbolize entering a state in between life to beyond.
We next seen him free of bandages, up and on his feet, looking a little better and bright eyed. He's reviewing memories and important moments from his life. He does a silly little dance and smiles. It was good.

He sits and begins writing a note or letter... the script for this video, the last album? Knowing death is near, he ponders... and then composes his last work. We see the little reaper girl occasionally, apparently allowing him some time to wrap things up... but looking impatient. Once finished with his final composition, he stands and slowly but knowingly, retreats backwards and steps into the closet from the door which death entered... and closes the door. It's over.

RIP David. And may God's love be with you.

Fairly accurate summation, but there's more to it. There's also a LOT more than meets the eye in the Blackstar video. 

Surf and ye shall find.

[Walter]

Apparently he wanted to make one more album and had 5 tracks finished.  Doesn't sound like a man ready to commit suicide.  As we all know, cancer is unpredictable.  He wasn't doing well at an awards ceremony a month before his passing, according to reports.  So sad, but it's been great reliving moments all week long and remembering all he did.

[Flares]

4 hours ago, SteveAJones said:

Why would he? Besides, he's been on holiday in Costa Rica.

Don't they have phones in Costa Rica? Would take a few minutes to compose a tribute, even if on holiday.

Page made a tribute and many other rock stars from that era commented as well, so to say "Why would he?" is silly.

I'm not saying he should, I just asked has he?

[Kiwi_Zep_Fan87]

I really don't believe that a man who was so full of life (despite his terrible illness), just bursting with creativity and just aching to release a follow up album, will voluntarily choose to end his life. As we all know, cancer itself, is an unpredictable bastard of a disease. Unpredictable in the sense that, on the one hand, there have been cases where the disease has completely disappeared for no apparent reason and on the other extreme, terminally ill patients who were so sure that they still had at least a few months to live, were gone within weeks or just days. An example of this, is my great aunt, who died of stomach cancer in the spring of 2002. The doctors were so sure that she had at least till the winter of 2002, to live, but sadly, that wasn't the case. I believe the end came way sooner than David Bowie, was expecting! A sad and horrid thought I know, but it is what it is!  

[slave to zep]

1 hour ago, Kiwi_Zep_Fan87 said:

I really don't believe that a man who was so full of life (despite his terrible illness), just bursting with creativity and just aching to release a follow up album, will voluntarily choose to end his life. As we all know, cancer itself, is an unpredictable bastard of a disease. Unpredictable in the sense that, on the one hand, there have been cases where the disease has completely disappeared for no apparent reason and on the other extreme, terminally ill patients who were so sure that they still had at least a few months to live, were gone within weeks or just days. An example of this, is my great aunt, who died of stomach cancer in the spring of 2002. The doctors were so sure that she had at least till the winter of 2002, to live, but sadly, that wasn't the case. I believe the end came way sooner than David Bowie, was expecting! A sad and horrid thought I know, but it is what it is!  

I guess I shouldn't have said the S word. What I was talking about is assisted death.

[slave to zep]

5 hours ago, Flares said:

Don't they have phones in Costa Rica? Would take a few minutes to compose a tribute, even if on holiday.

Page made a tribute and many other rock stars from that era commented as well, so to say "Why would he?" is silly.

I'm not saying he should, I just asked has he?

There was nothing wrong with your post . I thought that Robert might have tweeted something, seeing as how they were both big in the 70's. 

[Kiwi_Zep_Fan87]

1 hour ago, slave to zep said:

I guess I shouldn't have said the S word. What I was talking about is assisted death.

Yes, Julie. I knew that you were, all along. 

[Ross62]

 

 

 

The Occult Universe of David Bowie and the Meaning of “Blackstar”

 410

BY VC ON JANUARY 14, 2016MUSIC BUSINESS

In the wake of David Bowie’s death, his last album, “Blackstar”, is his swan song, an enigmatic conclusion to a career punctuated by otherworldly alter-egos and esoteric symbolism. We’ll look at the meaning of “Blackstar” in the context of David Bowie’s career.

Very few artists can boast the longevity of David Bowie in the music industry, as his career spanned over five decades and produced 28 albums. Throughout the decades, Bowie migrated from one musical genre to another, and even from one persona to another, but a constant remained: He was surrounded by an otherworldly aura.

Through his work, Bowie turned himself into a musical ‘ascended master’, a Gnostic Christ-like figure who achieved a high level of illumination and who sought to communicate a cryptic message to humanity. While many of Bowie’s eccentricities could be attributed to drugs and rock and roll, one cannot paint a complete picture of this artist without mentioning his most enduring obsession: Western occultism.

David Bowie, born as David Robert Jones in 1947, is seen by some as a sort of ‘Renaissance Man’ whose professed ‘universality’ is an attempt to show the apex of evolution by reassembling the fragmentary pieces of our society; thus, he resembles many occultists.

However unlike most occultists, Bowie has considerable wealth, critical acclaim, penetrating intelligence, and enduring good looks; he seems set to go on to even greater heights and achievements. What next, godhead? There is a Faustian/Mephistophelean element here. How else can one explain the absolute zenith of this man’s worldly trajectory? In fact, there are people who are convinced that his brobdingnagian success is not without some kind of otherworldly assistance. (…)

Nevertheless, it can not be ignored that Bowie has constructed his public persona from the various parts of the puzzle that are at the roots of modern occultism. He was summoning up some of these pieces at the early age of 16.
– Peter R. Koenig, The Laughing Gnostic – David Bowie and the Occult

Throughout his career, Bowie often turned himself into a mere vessel as he lent his body to various personas who spoke through him, often communicating messages of deep occult significance.

Bowie’s final album Blackstar is no exception. In fact, it is a “meticulously planned” final chapter to the “Book of Bowie”, one that confirms the true meaning of his work and the occult inspiration behind it. Therefore, in order to understand Blackstar, one must first understand some of his most iconic imagery.

Occult Bowie

If one had to select a quote that would aptly sum up the Occult David Bowie, it would probably be this one:

“I’m closer to the Golden Dawn
Immersed in Crowley’s uniform
I’m not a prophet or a stoneage man
Just a mortal with potential of a superman”
– Quicksand

In these four lines, Bowie reveals a source of his esoteric worldview: the secret society Golden Dawn.

“The Golden Dawn was a magical secret society, a crowning glory of the occult revival which flourished at the end of the 19th century and taught a unique blend of Jewish mysticism (called Cabbala or Kabbalah, also to be found in Bowie’s symbolism), astral travel, magic, yoga (also practiced by Bowie) and how to communicate with angels and demons. For this latter communion it was first necessary to empty the mind, to make room for the unknown to enter – something that bears a strong resemblance to Bowie’s ‘cut-up’ method of writing lyrics”.
– Ibid.

When Bowie states that he is “immersed in Crowley’s uniform”, he is referring to Aleister Crowley, the 20th Century British occultist who was a member of the Golden Dawn and a founder of the O.T.O (Ordo Templi Orientist). He was mostly known for his work in the realms of Sex Magick, Black Magick and his philosophy, the Thelema (read my full article about Crowley here).

Magick techniques have become popularised through the writings of Aleister Crowley who was once a member of the Golden Dawn, and later of the Ordo Templi Orientis (O.T.O.), which was (and still is) deeply involved with sex–magic. The public perception of both the Golden Dawn and the Ordo Templi Orientis are pseudo–masonic organisations where the aspirant (or member) goes through stages of ceremonial initiation wearing semi–Egyptian costumes — similar to the one Bowie wore for a photo session with Brian Ward in 1971.
– Ibid.

Aleister Crowley (left) and David Bowie (right) in the inner-sleeve of the CD version of Space Oddity.

In 1976 Bowie stated:

“My overriding interest was in Kabbalah and Crowleyism. That whole dark and rather fearsome never–world of the wrong side of the brain.”
– David Bowie, from “Bowie on Bowie: Interviews and Encounters with David Bowie” by Sean Egan

In a 1983 interview, Bowie added:

“I had this more–than–passing interest in Egyptology, mysticism and the Kabbalah. At the time it seemed transparently obvious what the answer to life was. My whole life would be transformed into this bizarre nihilistic fantasy world of impending doom, mythological characters and imminent totalitarianism.”
– David Bowie, Musician, May 1983

Considering the importance of occultism in Bowie’s life, the most iconic personas of his career take on an added level of significance, a level that is reinforced in Blackstar.

Major Tom

In 1969, Bowie released Space Oddity, a single that was cleverly released only nine days before the moon-landing of Apollo II, making it the unofficial theme of this historic event. The song introduced Major Tom, an astronaut who was launched in space and whose ultimate fate remained uncertain. The song indeed finishes with the words:

“Here am I floating ’round my tin can
Far above the Moon
Planet Earth is blue
And there’s nothing I can do”
– Space Oddity

On an esoteric level, Major Tom represents the ascension of mortals towards divinity – an interpretation that is apparently confirmed in the 2015 video for the song Blackstar.

In 1972, Bowie introduces a new alter ego who instead descends to Earth from the heavens.

Ziggy Stardust

The two forms of Ziggy Stardust. Left emphasizes the one-eye sign (from the album Alladin Sane) and the other emphasizes the pineal gland, aka the third eye (fromThe Rise and Fall of Ziggy Stardust and the Spiders from Mars).

For his fifth album, Bowie introduced the alter-ego Ziggy Stardust, an androgynous alien rock star who was sent by the “Infinites” to announce the coming of Starmen to Earth.

In Bowie’s visionary performance, civilization was going to collapse and the ‘Infinites’ would arrive. Ziggy Stardust was to announce the coming of these ‘starmen’ bringing hope. Ziggy is their prophet, the messiah who takes himself to incredible spiritual heights, and is kept alive by the devotion of his disciples. When the Starmen finally arrive, they take bits and pieces of Ziggy so they can manifest themselves as real physical beings. Eventually they tear him to pieces on stage during the performance of the song ‘Rock’n’Roll Suicide’. At the moment of Ziggy’s death, the Starmen take on his essence, and become visible.
– Ibid.

With Ziggy Stardust, Bowie embodied the archetype of the “dying god”, a savior sent from above who ends up sacrificing his life.

The androgynous nature of Ziggy Stardust occultly represents a state of higher spiritual level. In occultism, the highest stage of illumination is achieved through the internalization of duality and the equilibrium between opposing forces –  good and evil, active and passive, male and female. This concept is symbolically represented by the horned, hermaphrodite god Baphomet. It is also represented in alchemical symbolism such as the Alchemical Androgyne.

This symbol from the Turbæ Philosophorum (1750) represents a hermaphroditic figure as the accomplishment of the magnum opus. The active and passive principles of Nature were often depicted by male and female figures, and when these two principles were harmoniously conjoined in any one nature or body it was customary to symbolize this state of perfect equilibrium by the composite figure above shown.

Ziggy Stardust also embodies the opposition of the spiritual and the material worlds: While he represents a high level of spiritual illumination, he is also a bisexual, promiscuous rock star bent on heavy drug use.

Contrarily to Major Tom who ascended from Earth to the skies, Ziggy Stardust descends from the “heavens”. He is a “higher being” who takes the form of a human in order to communicate a message, not unlike Jesus Christ.

Station to Station

In 1976, Bowie released Station to Station, an album he claimed to barely remember recording, mainly due to heavy cocaine use. He even added that it was the work of “an entirely different person,”.

“Bowie himself remembers almost nothing of the album’s production, not even the studio, later admitting, “I know it was in LA because I’ve read it was”.

Despite this fact, the album dealt with heavy occult symbolism. The song Station to Station, referred to travel through the Kabbalistic Tree of Life.

“Here are we
One magical movement
from Kether to Malkuth”
–  Station to Station

“Kether” and “Malkuth” are two of the 10 elements of the Kabbalistic Tree of Life — the highest and lowest parts, respectively.

If you follow the path described by Bowie above, Keter to Malkhut describes the descent from Godhead to the physical realm. The theme of “descent from the heavens” has always been at the core of Bowie’s work.

In a 1997 interview, Bowie expands on the “magickal” meaning of the song and how no mainstream sources ever addressed it.

“The “Station to Station” track itself is very much concerned with the stations of the cross. All the references within the piece are to do with the Kabbala. It’s the nearest album to a magick treatise that I’ve written. I’ve never read a review that really sussed it. It’s an extremely dark album. Miserable time to live through, I must say.”
– Q Magazine, ChangesFiftyBowie”, 1997

On the cover art of the album we find Bowie drawing the Kabbalistic Tree of Life:

Bowie drawing the Kabbalistic tree of life.

Several decades later, in 2015, Bowie is confronted with his own mortality and feels the need to offer his fans one final offering. Blackstar takes all of the elements mentioned above (and more) to create one final, enigmatic, ritualistic drama.

Blackstar

Released two days before his death, Blackstar is David Bowie’s swan song  in which he wraps up the mythology he has cultivated for five decades. The video of the same name is a tapestry of dark images. At the center of it all: A human being becoming a god.

The video begins with a dead astronaut on a remote planet.

Is this Major Tom? Are we seeing his final resting place?  A young girl opens the astronaut’s helmet and finds an ornate skull.

The jewel-encrusted skull represents the astronaut’s ascension into godhood.

The skull is then revered as some kind of artifact from the gods.

A “grand priestess” holds the skull between two rows of women who cannot help trembling in its presence.

Sung in the matter of an incantation, the lyrics of the first verse allude to an occult ritual:

In the villa of Ormen, in the villa of Ormen
Stands a solitary candle, ah-ah, ah-ah
In the centre of it all, in the centre of it all
Your eyes

In the video, the men and women are separated, which conveys the idea of two opposing energies (male and female). Both groups end up making us witness an indirect sex magick ritual.

On one hand, the women “assume the position”.

On the other, three crucified scarecrows (who appear to be animated by an unholy force), move their hips in a suggestive manner.

The combination of sex magick with the twisting of Christ’s crucifixion gives the video a strong “Crowleyian” direction.

In an interview, the director of the video, Johan Renck, discusses Crowley.

“Well, I’m a huge Crowley fan, I’ve always been. I tried to make a movie on his life a few years ago but we didn’t manage to put it together. I love Crowley for being an audacious man at certain point in time. I think he’s greatly misunderstood. He was a good guy, but he was portrayed as an evil man and he wasn’t.”
– Vice News, Behind “Blackstar”: An Interview with Johan Renck, the Director of David Bowie’s Ten-Minute Short Film

The name of the album itself, Blackstar, refers to an important occult concept: the Midnight Sun.

“Apuleius said when describing his initiation (vide ante): “At midnight I saw the sun shining with a splendid light.” The midnight sun was also part of the mystery of alchemy. It symbolized the spirit in man shining through the darkness of his human organisms. It also referred to the spiritual sun in the solar system, which the mystic could see as well at midnight as at high noon, the material earth being powerless to obstruct the rays of this Divine orb. The mysterious lights which illuminated the temples of the Egyptian Mysteries during the nocturnal hours were said by some to be reflections of the spiritual sun gathered by the magical powers of the priests. The weird light seen ten miles below the surface of the earth by I-AM-THE-MAN in that remarkable Masonic allegory Etidorhpa (Aphrodite spelt backward) may well refer to the mysterious midnight sun of the ancient rites.”
– Manly P. Hall, The Secret Teachings of All Ages

Bearing in mind Bowie’s impending death, the lyrics of the song take on a very personal meaning:

“Something happened on the day he died
Spirit rose a metre and stepped aside
Somebody else took his place, and bravely cried
(I’m a blackstar, I’m a blackstar)”
– Blackstar

Is Bowie referring to his own death? Is he referring to his spirit-less body being taken over by a Blackstar? This is yet another allusion to Bowie being “taken over” by a mysterious being who states:

I’m the Great I Am (I’m a blackstar)

“I Am that I Am” is the response God used in the Hebrew Bible when Moses asked for his name.

In the video, Bowie plays the role of three separate characters.

 

 

 

The “blind follower” with buttons instead of eyes. This character represents the simple, ignorant man.

The preacher propagating the “Book of Blackstar” – with dumbfounded followers behind him.

The “flamboyant trickster” who appears to have taken over Bowie’s aging body with eccentric mannerisms.

The video therefore depicts the several layers associated with occult knowledge. There are those who are in direct contact with its “true source” while the blind masses are fascinated by a bastardized version of it, sold by charismatic figures. David Bowie indicates that he is, simultaneously, a blind simple man and an occult initiate – a blackstar.

Lazarus

Bowie’s final video bares the name of a significant Biblical figure: Lazarus.

“The Raising of Lazarus” by Rembrandt

In the New Testament, Lazarus died of an illness and was resurrected four days later by Jesus Christ. In the context of Bowie’s terminal illness, the title Lazarus conveys the idea of immortality, while playing with the constant idea of him being from “another world”.

In the video, Bowie plays the role of the same characters as in Blackstar.

In the role of the “blind man” Bowie is an aging human who is physically weak, laying on his deathbed and scared of things to come.

Look up here, I’m in heaven
I’ve got scars that can’t be seen
I’ve got drama, can’t be stolen
Everybody knows me now
– Lazarus

From a dresser in the corner of the room (possibly symbolizing a portal to another dimension), emerges another Bowie, the flamboyant, eternally-young Bowie.

This Bowie is not dying – he even treats himself to few dance moves.

The costume worn by this Bowie refers to a specific relic from his past.

Bowie wears the same outfit as seen on the cover of “Station to Station” in which he is drawing the Kabbalistic Tree of Life.

As stated above, according to Bowie, this 1976 album was written “by an entirely different person”.

In Lazarus, we witness the return of this immortal being.

With theatrical mannerisms, this Bowie writes feverishly, as if animated by a higher force. Is this the source of Bowie’s inspiration throughout the years?

At one point we see the skull from Blackstar, implying that this Bowie possesses that secret occult knowledge.

Although Bowie’s mortal body succumbed to physical illness (which is the ultimate fate of all humans), another part of him lives on, that otherworldly being who took over his body throughout his career.

The video ends with occult Bowie retreating back to the dresser and closing the door.

In Lazarus, Bowie therefore bids farewell to the physical world but reminds us that a part of him lives on … that same part of him that ascended into space as Major Tom and descended to Earth as Ziggy Stardust. This Bowie travels from the physical to the spiritual world with the same ease as he travels from “Station to Station” through the Kabbalistic Tree of Life.

In Conclusion

Although David Bowie’s career spanned several decades, produced 28 albums, and exploited all kinds of enigmatic concepts, one aspect remained constant: He projected the aura of an otherworldly being, one that did not really belong on Earth, that sometimes appeared to be either spiritually illuminated or  demonically possessed.

His final album, Blackstar is a direct continuation of the “Bowie mythos”. Meticulously planned to turn his death into a work of art, the imagery of Blackstar ties together several iconic moments of Bowie’s career into one final narrative, one that confirms the extreme importance of occultism in his work.

Lazarus, Bowie’s final parting gift, conveys one important message: Bowie was a vessel to something greater, something deeper, something darker, and something more profound than most ever realized. Claiming “I am the Great I Am”, this Being gave Bowie the inspiration to become an immortal icon and lead his fans to rally behind the declaration that “Bowie is God”.

Was Bowie truly influenced by unseen occult forces or was he simply a brilliant entertainer with a penchant for dramatics? We don’t have to wonder. Bowie answered this question a long time ago:

“I’m closer to the Golden Dawn
Immersed in Crowley’s uniform
I’m not a prophet or a stoneage man
Just a mortal with potential of a superman”

http://vigilantcitizen.com/musicbusiness/occult-universe-david-bowie-meaning-blackstar

[SteveAJones]

Great post, Ross62 which helps to explain why I too feel the Blackstar album is a masterwork, if not a masterpiece.

One thing the author does not bring up is the Lazarus lyric "I was looking for your ass". Although some have dismissed it as an overt nod to sodomy, I interpret it as an affirmation Bowie was a seeker of hidden knowledge. Note in the video when this lyric is sung David is gazing at something off screen (hidden from our view). However, there are many other plausible interpretations.