Slate Chocolate Marble
Slate Chocolate Marble

Led Zeppelin Official Forum

Register now to gain access to all of our features. Once registered and logged in, you will be able to contribute to this site by submitting your own content or replying to existing content. You'll be able to customize your profile, while also communicating with other members via your own private inbox, plus much more! This message will be removed once you have signed in.


  • Content count

  • Joined

  • Last visited

About tyler19

  • Rank
  1. When The Levee Breaks - to show off his inventiveness with beats Good Times Bad Times - to highlight his bass drum technique In My Time of Dying or Achilles Last Stand - to show off his power
  2. They were on tour. They brought in Pino Palladino to play out that tour.
  3. I'd like to think that was true but I know Robert didn't necessarily think too highly of the pop oriented work JPJ had done prior to Led Zeppelin. The same Robert who years later would be the driving force between All of My Love. I doubt JPJ was the best at any instrument but he was very multi-faceted and could score strings. While never a driving force to the music LZ made, it was something that allowed a song like Kashmir take on added dimensions as he could think through music from multiple perspectives. Jimmy always seemed to know and understand the value of this, sometimes I wonder if it made Robert feel a touch inadequate as a songwriter, specially in the early days of the band. Jimmy and JPJ had a shared musical vocabulary from their session backgrounds that Robert wouldn't have.
  4. SAJ - Has it ever come up why Robert Plant was so against the medley and jam in Whole Lotta Love in LZ's latter years? Of all the excesses that a Led Zeppelin live could have, I never thought this was one of them. I never thought it grew stale unlike the D&C jam, nor did it go on too long and be the bloated excess that No Quarter, Moby Dick and WS/BM and noise solo often were. I thought it paid homage to their influences in a very joyful way and really highlighted what an unstoppable unit they were on stage.
  5. I genuinely like the first Firm album. Initially it was a let down but then I viewed it as being a Honeydrippers type record but with originals. In that vein, the diminished prominence of Jimmy's guitar makes sense and his playing really quite subversive. I take the album for what it is and appreciate it for what it is.
  6. As the release is a 10", my best guess is it would be either the four Led Zeppelin songs played at Jones Beach that are not on Live At The Greek or the for Black Crowes songs played. Most likely the former. The Led Zeppelin songs were; Wanton Song, Misty Mountain Hop, Hots On For Nowhere and Bring It On Home. The Black Crowes songs were; No Speak No Slave, Horsehead, Remedy and She Talks To Angels.There was also a cover of Muddy Water's I Can't Be Satisfied played.
  7. Really, first post and it's to sell something at a wildly inflated price. Welcome to the board.
  8. The only thing that truly set Led Zeppelin apart from their peers was the songwriting. There are lots of bands with better musicians but they all lacked a leader like Jimmy Page. He had a vision for just about everything, from the songs and sound through to stage presentation. Having only a ten year career has been a huge help in maintaining the mystique. There are a few bands who's 10 year and/or 8 album output starts to rival Led Zeppelin. I'll rule out The Beatles as they stopped touring so early on in their career. But album wise, they rival Led Zeppelin. Same could be said for the Stones, The Who, Pink Floyd, The Doors. If Led Zeppelin had stayed together another five years and put out two albums on par with In Through The Out Door and had three tours of North America sounding like the Europe '80 tour, they lustre would have worn off. That White Summer solo would have fallen so flat in North America. The two hour sets would have destroyed some of the mythology.
  9. My love of prog rock shows with... Genesis - Seconds Out Emerson, Lake & Palmer - Welcome Back My Friends..... Porcupine Tree - Octane Twisted (The 15 minutes that is "Russia On Ice/The Pills I'm Taking" is sublime) Radiohead - I Might Be Wrong and very surprisingly, Goo Goo Dolls - Live in Buffalo (even if just for the version of 'Two Days In February')
  10. Release How The West Was Won on vinyl for the anniversary and the long version of All Of My Love for Record Store Day and I'd be happy as hell
  11. This is hard to say because the songwriting credits often don't tell the tale. If you didn't know the descending riff in Kashmir was by Jones, you could think that was hard/brilliant composing by Page. Either way it's brilliant but a lot easier for the credited songwriters when an uncredited songwriter comes up with a key part.
  12. Yes, Jimmy Page was a sloppy player. Not that he couldn't be a very fluid player, see his 1968-1971 and previous session work playing. But he consciously chose form over function with regards to his playing style and presentation. Every inch he lowered his guitar his fluidity took a hit and resulted in sloppiness. From 1975 on he had horrible pick attack on his strings. This resulted in his consistent breaking of strings, the Earls Court version of Stairway To Heaven on the dvd bares this out. I can't find it at the moment but I've read an interview article where Jimmy stated he had to adopt his playing style to incorporate the lowered guitar and stance.
  13. Plant will join Page on stage or in the studio if and when Plant feels his solo career needs a bump. That's been his modus operandis since the demise of Led Zeppelin.
  14. That was my initial thought but the box presentation is inline with the other live box sets.