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Found 6 results

  1. As we come up to nearly 11 years since the Concert for Ahmet Ertegun, co-founder of Atlantic Records, at the O2 Venue in London, I am reminded of how self-centered Robert was to not want to do another handful of shows for that Tribute and re-union of Led Zep. Over the years since that famous night in December 2007, I have come to the conclusion that a "one off" concert for Ahmet and Zeppelin was not only a selfish decision on Robert's behalf, but a real travesty to us as fans, the music world, and personally to the other members of Zeppelin and their families. For all the rehearsals, time away from families and projects, and all the logistical aspects for that Night, they all now seem like a looming shadow over Robert's insistence not to continue that energy and good will. A shadow that grows longer and darker as the years pass and a Zeppelin reunion, for whatever reason, becomes nearly impossible. That Night at the O2 was so incredibly great and magical, can one imagine if they continued for even a handful of shows in different parts of the world where Ahmet and Zeppelin had such over-whelming influence and support. Let's take North America for instance. A show would have certainly been well received in New York, Los Angeles, Chicago, Tampa, and say Dallas. All places where Zeppelin was noted for Tour stops back in their hey-day. All famous for their sold out venues and amazing, if not crazed, fans. Not only would that have been the right thing to do, I believe that with time and more shows - the Band would have gotten even better and tighter as a unit! Imagine... But no. Robert would have none of it. And we as fans, and the music world, are lesser for his decision. Ahmet made Atlantic Records famous in the US first. That's where his real market was. That's where he passed away and a tribute by Zeppelin would have been well suited in those and other cities. Jimmy, John Paul, and Jason were all on board, fired up, and ready to continue their success from that Night at the O2. All the pieces were in place. Everything. The Band was so rehearsed and even Jason was more than ready to fill his dad's big boots. But Robert held his ground and denied himself, and the members, and the fans that couldn't attend the O2 concert, a once in a lifetime chance to see Zeppelin reach new heights, a new audience, and make certain that Ahmet was given his due in the United States. His home away from home. Looking back, for what did Robert prove. 11 years almost gone - what was the point in not giving 6 months more in 2007 - 2008 to a Band's legacy. The Led Zeppelin 50th Anniversary has come and gone now - with nothing new or exciting to talk about.... Robert, I love you beyond words. Thank you for all of your artistry and true inspiration. Your integrity will never be second guessed. However, your insistence on not continuing that magical Zeppelin resurgence at the O2, will also be a chapter in any historical accounting of the mighty Led Zeppelin. Maybe you don't care, but we do; and I'm certain the other Band members do as well now that Time has marched onward from that Night.
  2. Do you guys think the o2 Kashmir was the best ever? Or was it the 1979 Knebworth?
  3. JaredR59

    Led Zeppelin's Finest Moment

    What do you guy think is Led Zeppelin's finest moment. For me it's this:
  4. I thought some of you might be interested in a snippet of my journal about the support acts for the O2 event in 2007: At 1900 hours Harvey Goldsmith (the promoter that came up with the ticket allotment idea), came on stage and introduced the show. I was expecting to hear boos, but I didn’t hear any. It was funny when Harvey said, “We know why you are here, but the REAL reason we are here is to honor Ahmet Ertagun”. He introduced a 15 minute video clip that showed Ahmet with all the artists he had signed for Atlantic Records. Every time they showed Jimmy or Robert on the screen, everyone started yelling and clapping. There was a 5 minute pause after the video and the lights went out at 1915 hours. An orchestra came out from stage right and started to set up. The crowd was like “What the hell?” Then from stage left, out came Chris Squire (bass player for Yes), Simon Kirke (drummer for Bad Company), Alan White (the drummer for Yes) and Keith Emerson (the keyboard player for ELP). Alan White went to a pair of kettle drums and Simon Kirke got behind a drum kit. Chris Squire said “Good Evening” and then the brass section of the orchestra started Aaron Copeland’s “Fanfare for the Common Man” (which ELP did a version of back in the day). You might not know the song by name, but it is the instrumental that they use to start the Olympics. It was a brilliant way to start the show. Nobody in line was keen on any of the supporting acts, but when that song started every ones mouths dropped open! It was an incredible version – they even snuck some snippets of “Kashmir” in it (much to the delight of the crowd) and a little bit of “Roundabout”. After the song, the four “stars” went to center stage and took a bow. Alan White even threw the kettle drum sticks to the crowd. Great start to the evening. After most of the orchestra cleared the stage, Bill Wyman’s Rhythm Kings entered. There were four guitarists on stage with him and a set of three “Doo Wop” girls on the stage left. They started playing and from the side of the stage came a portly guy in a red zoot suit and felt hat with a long feather in it. It was a singer named Mike Sanchez. He sang the Ray Charles classic “I Got a Woman” and commanded the stage with his presence. The band stayed on stage and next was Paolo Nutini, a Scottish lad barely 18 who was the last artist Ahmet signed to Atlantic records. He went up to the mike and kinda said “Wow, this is incredible” and sounded like a dork. But when he opened his mouth and started singing the classic Ray Charles hit “Mess Around” (actually written by Ahmet) he got our attention. Incredible strong growly blues voice that was perfect for those R&B numbers. He did a second song as well, “Bang, Bang (My Baby Shot me Down)” made famous by Cher in the early 70’s. The BWRK stayed on stage and provided the accompaniment for Maggie Bell (a soulful blues singer) who did a flawless version of Aretha Franklin’s “Do Right Woman, Do Right Man”. One of BWRK guitarists was none other than Albert Lee who stepped up to the mike and sang “Baby That’s Rock and Roll”. It was more a rocker and the crowd loved it. Finally, one of the “Doo Wop” girls stepped forward. It was Beverley Skeete who did an awesome version of “Show Me” (“show me a good woman who’s got a good man!”) The orchestra brass left the stage and from stage right came Paul Rogers (former lead singer in Free and Bad Company and fresh off a stint as singer for Queen). He paid homage to his first band Free with “All Right Now”. It was note for note perfection especially the guitar solo and the crowd went nuts and everyone was singing along. The entire stage emptied except for Paul and then a roadie came out and handed him a unique custom acoustic guitar which Paul used to accompany himself for the Bad Company hit “Seagull”. Leaving the stage to incredible applause, another band came out. Foreigner (whose sole remaining original member is guitarist Mick Jones) came out and started the keyboard intro to “I Wanna Know What Love Is”). Everybody in line was bad mouthing Foreigner and it didn’t help their cause to come out with this song after Paul Roger’s rockers. The lead singer kept shouting to the crowd to sing along, but the crowd really didn’t get into it, even when a choir of children came out to sing the final chorus. The supporting acts finished at 2045 hours, that gave the road crew 15 minutes to clear the stage for the main act (which was already set up behind the front equipment of the support acts). I didn’t think they’d be ready, but at 2103 hours, the auditorium lights went out and the screams began.
  5. How many people here have already pre-ordered the concert DVD? And which set (since there's so many to choose from) are you ordering? I am beyond excited for this, and can't wait for it to land on my doorstep come November 19th! I ordered the 'Deluxe Edition 2 CD, 1 Blu-Ray, 1 DVD' version. I am looking forward to seeing how the show looks in Blu-Ray. November 19th can't get here fast enough. Well, same with October 17th too.
  6. I know many of you have posted on other threads about getting you tickets for the showing of Led Zeppelin's highly anticipated film of their December 10, 2007 reunion gig from London's O2 Arena. Just thought it would be a good idea to get a thread going on this. Info: Where, When and How Far Away you'll be seeing this and showtime. When you got your tickets, how much paid and how. With whom will you be attending film (if you feel like saying) Anticipation Level! Anything else! I'll be seeing it on October 17th in Milford, CT at the RAVE Cinemas. It's about a 40 minute drive Got my tix on Movietickets.com, two days ago and paid $12.50 each. There is one theater closer, but going with others makes this the right choice. There's a few of us going and one is a forum member here. Not going to reveal that person's name unless the individual want to post it here. I'm really looking forward to this and seeing it on the big screen, backed by a great movie theater sound system will be awesome, rock and be a life altering experience. October 17th can't get here soon enough!!!
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