ThelegendaryZepp Posted September 16, 2014 Share Posted September 16, 2014 I assume a matrix of this wouldn't be possible because none of the audience sources are complete? A shame, because one of them is a great recording, up there with the legendary Millard recordings a month or so later. Isn't it possible to combine both sources anyway regardless? Or do they have to have the same time and length to combine at the right speed? Link to comment Share on other sites More sharing options...
Sathington Willoughby Posted September 16, 2014 Share Posted September 16, 2014 I assume a matrix of this wouldn't be possible because none of the audience sources are complete? A shame, because one of them is a great recording, up there with the legendary Millard recordings a month or so later. Let's not get carried away man. Link to comment Share on other sites More sharing options...
cocksuckerblues Posted September 16, 2014 Share Posted September 16, 2014 Somehow, with each new soundboard that gets released, you keep thinking that you're going to hear something really different from Zep. But ultimately, you don't. They played the same set lists over and over and if you were lucky, maybe you got one extra tune not scheduled on the menu. Once you've heard Page a few hundred times, his playing doesn't impress as much like it first did. There is not one show in '77 that holds a candle to the series in LA, not even NY. FT. Worth is good but after a listen or two not sure I'd spend more time on it. Link to comment Share on other sites More sharing options...
Sathington Willoughby Posted September 16, 2014 Share Posted September 16, 2014 Somehow, with each new soundboard that gets released, you keep thinking that you're going to hear something really different from Zep. But ultimately, you don't. They played the same set lists over and over and if you were lucky, maybe you got one extra tune not scheduled on the menu. Once you've heard Page a few hundred times, his playing doesn't impress as much like it first did. There is not one show in '77 that holds a candle to the series in LA, not even NY. FT. Worth is good but after a listen or two not sure I'd spend more time on it. Especially the later stuff. I wish they would put out more early (69-72) soundboards, the medleys and encores are a blast. Link to comment Share on other sites More sharing options...
ThelegendaryZepp Posted September 16, 2014 Share Posted September 16, 2014 Somehow, with each new soundboard that gets released, you keep thinking that you're going to hear something really different from Zep. But ultimately, you don't. They played the same set lists over and over and if you were lucky, maybe you got one extra tune not scheduled on the menu. Once you've heard Page a few hundred times, his playing doesn't impress as much like it first did. There is not one show in '77 that holds a candle to the series in LA, not even NY. FT. Worth is good but after a listen or two not sure I'd spend more time on it. Then just listen to LA.....What wrong with that? Just listen to eddie and forget 77 if you feel that way. Don't pretend zeppelin didn't improvise or switch it up though, that's a bad lie. Link to comment Share on other sites More sharing options...
tom kid Posted September 17, 2014 Share Posted September 17, 2014 Let's not get carried away man. The source from the later part of the show is great! Link to comment Share on other sites More sharing options...
rebeldhipi Posted September 17, 2014 Share Posted September 17, 2014 Where are the cuts in this Soundboard? Two minutes into No Quarter just before the first vocal part, comes back at the beginning of the Organ/Piano solo. Bron-Y-Aur Stomp ends after minute and comes back at the first part of White Summer. the audience source plays a couple BPM's faster than the soundboard. There should be a third cut somewhere end of Over The Top and middle of the Guitar solo, but i haven find it yet. Link to comment Share on other sites More sharing options...
Sue Dounim Posted September 17, 2014 Author Share Posted September 17, 2014 A small portion of Robert's dialogue after Rock and Roll is cut mid-sentence. Link to comment Share on other sites More sharing options...
Nutrocker Posted September 17, 2014 Share Posted September 17, 2014 If C90's were used to record the soundboards, the cuts are all going to be approximately 45 minutes apart. Houston, I believe, is the only '77 soundboard with a complete "No Quarter"- all the others have cuts within the first four or five minutes, give or take. Odd that the cuts in the 27 April and 30 May SBDS are so big, though... Link to comment Share on other sites More sharing options...
lololabrute Posted September 18, 2014 Share Posted September 18, 2014 Too bad the SBD copy has such a shitty cover... anyway.. Link to comment Share on other sites More sharing options...
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