I don't think there's a Millard tape for the last night at Earls Court. As far as I know, this is a soundboard (although it could be an audio soundtrack, not a true soundboard.)

Thanks. I'm glad you're enjoying it. I spent a lot of time listening to this show while I was working on it and I really like the performance. In particular, the version of OTHAFA has some great interplay between Jimmy and Bonzo.

Thanks. Sometimes the software that splits songs into individual instruments has a hard time separating the keyboards from the guitar. It did a good job in No Quarter but not in Trampled Underfoot, which is why the guitar and keyboards are both in the right channel in that song.

Here's the latest installment in The Stereo Project. Send me a message if you want the link for the full show.

I just sent you a message with the link.

A starting point: https://rarerecordcollector.net/atlantic/led-zeppelin/led-zeppelin-i/ More than you ever wanted to know: https://forums.stevehoffman.tv/threads/ultimate-led-zeppelin-vinyl-pressings.417639/ And even more, although you'll have to do some digging through the various threads: https://forums.stevehoffman.tv/search/82906631/?q=led+zeppelin+matrix&o=relevance&c[node]=2

Check your messages for the links.

Jimmy and Robert (missing Nov 5, 1998): Jimmy and The Black Crowes:

I've been watching this quite a bit recently and just wanted to say thanks to everyone involved in putting it together. It's really given me a new appreciation for the '77 tour.

PM sent.

I'm putting the finishing touches on the 9/28/71 show. I also have the 5/25/75 show mostly done, although I'm not sure if that will be the next release after 9/28/71 because I have some other things I want to work on. Here's a sample of the 9/28/71 show. The final version will sound similar but with a few tweaks: And here's a sample of the version of 5/25/75 that is mostly done:

Agreed. That looks great. How long does it take for the computer to process a single song?

It sounds like it's from "The Bringer of War" version of Stoke (1/15/73.) I couldn't find an online version of that song, but here's the beginning of Dazed from the same source:

I sent you a message with the link. If anyone else wants a copy, let me know.

New message on AirRaid: The AirRaid web site will end at the end of January 2021. Thank you for 20 years. Future new one information and stock status will be notified by email to those who have purchased so far.

Wow, how cool is that. Thanks to all involved in releasing this.

I have not heard anything about the band using the "de-mix" technology. I've used it to do stereo remasters of 9/29/71, 3/14/69, and 1/22/73, with 9/28/71 and 5/25/75 to come shortly. Here's a thread on this site where I go into details and provide examples of some of the projects I've worked on. As far as I know, no one else is using this technology in the Zeppelin remaster community.

Thanks. I sent you a message with the link. If anyone else wants a copy, let me know.

When you listen to the solos now, you're missing the visuals that would have made them a lot more interesting. I've seen descriptions of how amazing the spinning pyramid was (especially for that time when lasers were still relatively new), and how the transition from that into the blinding white lights at the start of Achilles Last Stand was just magical.

Stereo remix and remaster of 9/28/71. If anyone's willing to provide feedback on the rest of the show before I release it, please send me a PM.

Diego Maradona passed away of a heart attack at age 60: https://www.bbc.com/sport/football/54810392

"Broken Window Serenade" by Whiskey Meyers. Think "She Talks to Angels" for the meth age. Listen to it on your favorite streaming service and it will sound much better than this low-res version on Youtube.

Agreed about an official Earls Court release. It seems obvious, even if it was just a compilation to create the illusion of a single show, ala HTWWW. Regarding the low end and the drums, a real multi-track recording would have the kick drum recorded separately from the rest of the kit so it could be mixed in at the appropriate level. What the software I use does is put the whole kit together, so I cannot easily adjust different parts of it. What it also did on this show was put all of the low end in with the drums. I have the bass guitar on a separate track, but it's just the upper end of its sound. The low end is on the drum track. That's not a huge issue, except that it makes it harder to keep the low end impact I'm shooting for while also getting the rest of Bonzo's kit to be more prominent. I think I figured it out, but it took a little bit of experimentation to make sure I didn't mess things up.

I''ve been working on it for the past week. The good news is that the majority of the remaster was done years ago as part of a different project, so now the work that's left is mainly just to mix it into stereo, which is easy. I haven't even started to think about synching it, or which version of the video to use. Any suggestions? Also, was there too much bass on that sample? Currently, this remaster has the deepest, hardest hitting bass of anything I've ever done. I'm concerned that although it sounds good on my stereo, it will be too much for other people.

This version of OTHAFA has one of my favorite Zep moments ever starting around the 1:28 mark in the video below where Jimmy plays a series of descending notes and Bonzo echos him. When We Were Kings, indeed.