For me, LZ more associated with the experimental laboratory than the debugged manufacture. Out there are stellar moments, being changed, possibly, disappointments, but no top. The top is in a fog, it looks like not reachable, because "the song remain the same" and search is continues ...

Thanks for the tips and the link! It turns out, in "bronze" almost nothing, everything is still alive! Well, well... Maybe then fan clubs or night clubs, where young's try imitate or create in the same spirit? (although the idea to sit in silence of the Royal Albert Hall I also liked). Thanks!

Hello, friends! I am going to visit the UK (I am from Russia) and would want to visit some significant places, related to LZ. What can you advise me? Thanks!

Thanks for post, Tasha! Deep thought/feelings about deep soul... Two words for your list if you let (or why I also like Page). When Paganini was yet great master he is not rehearsed. But when he had finished regular concert, him carried off the scene barely alive, and he was between life and death several hour (he simple left there a piece of life). It seems?

Many thanks to your “good, consonant, recommendations, etc.”, especially from “veterans” . In gratitude, I will tell you something interesting and it might help to start a discussion about one theme... Stanislav Lem (Polish writer) has written a remarkable story «Odyssey iz Itaki» (or "Odyssey from Itaki"), the story is as follows (a fantastic one). A certain Mr. Odysseus had organized a fund called "Going for the golden fleece of the spirit", raised the money and started the search for the "geniuses of the 1st class". In his classification, the geniuses of the third class are those who do

I've been listening to LZ for more than 30 years and still feel the pleasure of their music. Why, I ask myself? In my opinion, the main difference between LZ from other groups, both from the past and the present ones, is in their «symphony». What do I mean by this word? First of all, this is the structure of their composition that runs the whole mechanism of creation of their music. It is known that in a symphonic opus two themes are often developing, in the simplest case the theme of good and of the evil, which evolve, overlap, compete and in the end ... the good one triumphs. Bot