Jump to content


  • Posts

  • Joined

  • Last visited

Contact Methods

  • Website URL

Profile Information

  • Gender
  • Location

Recent Profile Visitors

1,290 profile views
  1. Here's the arrangement leading into the breakdown at the first coda section.... still scratch tracks as we build the arrangement and tweak the time grid.
  2. You guys do such nice work. This is really good. The deeper you dig, the more Zeppelin yield the gold!
  3. Thanks - I'm interested in where you got the info about the guitars used on the recording.... I've been listening pretty close trying to "hear" the Fender 12 on there - I have not picked it out of the mix yet but I'm deconstructing and rebuilding it now. I'm in the middle of recording a N4N recreation of the song --- here's some early sketches of me working out the orchestration I beat mapped the drums from the original zeppelin tune to create my time grid then programmed my own drums in (but kept Bonzo's time drift). I've just been adding instruments and tweaking the sound trying to zero in on the mix and production secrets as I build the arrangement. Here's where I'm at now.... still a long way to go.
  4. Can you confirm where this came from? --- It does sound very much like the actual track (drum bass and one guitar) and it does indeed sound like this cycle continues through the early bridges (that feature brass and violins) underneath what we normally "hear" as the bridge... my only question is the tempos are different from the original (but the tuning isn't different) which would seem to not make sense unless this has been manipulated digitally to preserve the pitch.... otherwise this would have to be an alternate take? If you've ever tried to play the bass part with the bridge section overlay it is very very hard to do --- and this answer the question to me why JPJ's bass only changes on some bridge parts and stays the same as the verses on others..... because the initial arrangement before brass and strings didn't have the bridge inserts/overlays....
  5. Cool -- We decided to do both Seaside and Kashmir -- two at the same time.... Hoping these won't take 18 months! The general process is basically to live with the song(s) - endless plays on repeat for weeks and weeks while studying drums scores, transcriptions, tutorials... any available resources that are out there and audit the track - literally note for note trying to find out what people get right and wrong... slow things down - isolate certain instruments using selective EQ settings etc... And we start recording scratch tracks, basically building the arrangement and the mix (while learning all the parts) as we go..... dialing in the sounds, working out all the mix and production trickery.... We may recording 50 or even 100 takes of any particular part as the project evolves and we get closer to figuring it out.... and when we're done we have a complete working arrangement of the song and mix that we sometimes will abandon (but use as a template) to re-record an entirely new version of the song yet again - sometimes with dozens of new takes per track.... Seaside is going to be really cool - there are not a lot of N4N covers out there - and nobody tries to N4N the piano when they play it..... (lots of the Seaside covers are "blocked" on YouTube.) Getting the Fx right will be tough... that's the biggest challenge I think. Totally excited to pull that off....
  6. Thanks man. We got really lucky with the vocals (last thing that was done). Clay has a really syrupy quality to his voice here just like Plant does... You gotta be fearless to tackle Robert's vocalizations because they are always pretty raw and very naked.... It's why I'm not singing this one - I just don't have that ability to let it hang out there like that. We really appreciate the support. Our next project is in discussion right now -- I'm leaning towards Down by The Seaside - others (including my wife) keep pushing for Kashmir.... I just like the challenge of "Seaside" because of that fantastic electric piano part. No quarter is another favorite of mine as well (also a great Electric Piano part).....
  7. At The Stairway Project we have completed another N4N Zeppelin cover - this time it's Ten Years Gone. The cover was recorded over a period of 18 months and we recently completed it after finding a really good volunteer vocalist who could bring out that Plant vocal vibe..... here it is. This was all done in a home studio. Hope you all enjoy. For more information about the cover or The Stairway Project you can visit the site here: http://www.thestairwayproject.com/the-stairway-project-presents-ten-years-gone/
  8. Jimmy used a white Fender Strat that JPJ's then borrowed..... and didn't return until 2007 or thereabouts. The B-bender was NOT used in the studio.
  9. Like the Stairway Project, the Ten Years Gone Project will be doing 2 complete versions of the song; the demo version where all the parts and production techniques get worked out and learned, and then the final version. Here is the link to the demo version which is already complete. http://www.thestairwayproject.com/ten-years-gone-the-scratch-tracks/ Feel free to contribute or share any info or thoughts you have related to Ten Years Gone.
  10. Hey Steve - thanks for that. Do you know (of the theft) if anyone has been able to put together a list (after the fact) of the stuff that's out there that came from those thefts?
  11. Do we know any more about these thefts? Was it a specific theft or thefts over time? Has all the material stolen made its way into the public sphere? Was the matter ever resolved or prosecuted? I've heard several stories over the years about who and what but have yet to hear anything confirmed. Anyone know more?
  12. They've got models that mount a rounded glass piece over the metal rod... I assume it must be thicker as a result.
  13. Sweet -- it looks really good -- did you use one with glass or just metal? (I see they have a few different options).
  14. Dude -- where did you get that slide and what kind of slide is it? Never seen that before - awesome.
  • Create New...