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slp9b

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Posts posted by slp9b

  1. We could’ve had a 50th anniversary Madison Garden release with all three nights complete, there’s really no reason it couldn’t have happened.  I don’t think a 50th anniversary Earl’s Court release in 2 years is any more likely either.

    I think we’ve seen the last of the Zeppelin archival releases from Mr. Page.

    He doesn’t owe us anything, but it would be nice to have some of what we know he has in the vault.

  2. Exceptional work as always!  Well done!  It’s a shame they dropped Levee from the set list, it’s pretty cool hearing it live.  It still needs some work, it’s not as tight as it probably should be, I guess I think a little more work on that one and it could have been a highlight of the tour.  Anyway, great job, and your generosity is greatly appreciated!

  3. This is the site you are thinking of, it’s pretty awesome: http://www.thegardentapes.co.uk.

    Here is what is said about HMMT at RAH:

    “There are five cuts in How Many More Times. At NTSC 0:43:49, PAL 0:43:52 the band introductions have been removed, resulting in the loss of just over a minute. The next cut is a little strange and unsatisfactory, coming during the Boogie at NTSC 0:56:14, PAL 0:56:18 where two iterations of the twelve bar sequence have been removed, a total of 30 seconds. The problem is, it's actually only 22 bars, not 24, that have been removed, and the two remaining bars disrupt the natural chord progression. Soon forgotten, though. Cut number three is at NTSC 1:01:08, PAL 1:01:13 and this time it's a high speed, disorganised 90 seconds' worth of That's All Right (Mama) that's lost. Almost immediately afterwards there are two further cuts as Robert toys with the audience, first hissing "s-s-s..." at them (10 seconds removed) and then encouraging them to sing along with "loving" (20 seconds).”

     

  4. On 2/27/2022 at 6:10 PM, SteveZ98 said:

    I finished the 02-15 Osaka show. I just need a better internet connection so I can upload it. I have some other things ready to go too (more Zep, most of the Page/Crowes soundboards, random stuff from other bands), but uploading them now is such a pain that I'm going to wait until I get faster internet. Starlink says I'm scheduled for service some time in March 2022, although I don't know if that means the beginning of the month or the end.

    Wow.  Just wow.  I can only imagine how good that must sound, given your previous work.  Better than Christmas!  For me, the perfect-sounding 02-15 Osaka show is the holy grail of Page/Plant boots.  I am excited for you to get a better internet connection!!!

  5. On 7/19/2020 at 6:09 AM, SteveZ98 said:

    I don't think I ever finished it. It was more of an experiment to see if modern audience DAT recordings are easier to work with in a matrix than analog tapes from the '70s. Turns out they are a lot easier. There was no speed variation at all between the DAT and the soundboard from the show. 

    I know this is a really old quote, but I’d like to encourage you to finish the Page/Plant Japanese show sometime, especially if it is the 02-15 Osaka show.  I did a matrix of the soundboard and audience sources for that show using my own limited skill and resources for myself, and it sounded OK, but there is a potential for an amazing sounding matrix out of those sources, particularly with your skill since you do such phenomenal work.  Everything you have touched has been magical.  
     

    P.S.  Anyone who has never heard “Ten Years Gone” with the orchestra from the Osaka show needs to hear it - it is mind blowing.  It’s the only time P/P ever did it, and it’s something else.

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