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JethroTull

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Posts posted by JethroTull

  1. I appreciate your input, JT. Although I'm a little surprised such a big fan of Jethro Tull doesn't collect more live recordings.

    Have no fear...I have no intention of selling these babies. My interest in Jethro Tull did fall off after 1975, but I still love "Thick as a Brick" and their other early albums. Their concert in 1972 was one of the best I saw that year...only Led Zeppelin and the Stones topped them. Maybe the Yes and David Bowie shows, too. But Jethro Tull definitely surprised me with how good and entertaining they were in concert.

    Well, I said I own two "official" bootlegs, meaning I own them on LP. I own a fair amount of other shows(Tull and others) on cassette or CD that friends/acquaintances have recorded for me.

  2. Alas, I'm still waiting for some help...where's 'Jethro Tull' or some other Tull expert. I've done a search and found out some of the basics of the four bootlegs: they're from 1973 LA Forum, 1971 Anaheim Convention Center, and 1970 Long Beach and Anaheim. Mostly VG to Excellent sound quality according to one Jethro Tull database.

    But I haven't been able to find out anything about the performance quality. That's what I was hoping some Jethro Tull fan here could tell me.

    IMHO, I would say those are all worthy bootlegs, in the sense they've captured a classic era of Tull. Let's face it, they are bootlegs from the early 70's. The sound quality is what it is. I'm not a big collector of bootlegs. I own two "official" bootlegs. Tull from 1972 ( a show from April in Virginia) and Springsteen from 1976. I have some other bootleg material that various people have put on cassette for me. Sounds like you are not a Tull fan anymore. What do you want to do with the bootlegs? You could probably sell them pretty easily.

  3. My father-in-law has a narcissistic personality disorder.

    My sister-in-law has a narcissistic personality disorder.

    My deceased mother-in-law suffered from depression.

    My brother-in-law suffers from depression.

    Father-in-law is currently going through a Narcissistic rage and taking it out on my wife.

    Did you know that children often take characteristic of their parents and exaggerate them?

    Wish me luck.

  4. FWIW, the new R.E.M. release was panned by The Washington Post. The main gripe is that every release since the departure of Berry is interchangeable. I won't buy the collection, but I do have two free songs courtesy of ITUNES (uBerlin) and Starbuck's (Oh My Heart). I've always liked the band and own about 4-5 other full releases.

  5. Good topic!! I love acoustic guitar players and acoustic music in general. Ian Anderson of Jethro Tull is probably my fav. Check out the 2 minute acoustic ditties on the Aqualung LP.

    I also enjoy Dylan, Leo Kottke, Cat Stevens and Willy Porter.

    I still own and play a Guild D40, which I purchased in 1978.

  6. Great band. Fun to watch and they've got some great material. I've never seen them live. Guitar Player magazine seemed to always have articles about Nielson and his totally unique guitar collection. One such guitar was a five neck guitar.

  7. I recently received the The Beatles in Mono box set as a gift. Mono, stereo, it doesn't make a difference, The Beatles were on a different level than every other band.

    Jahfin,

    Thanks for posting those pics. I need to go back and look at them all.

    Added note: awesome photos.

  8. I'll never get over the fact that John Lennon was shot to death. Who would want to do that? What kind of evil mindset would drive a person to want to shoot John Lennon??

    Never ever will I remotely grasp the concept of why this happened.

    Happy Birthday John.

    Well said. Not only am I'm convinced that Lennon was a musician in is own league, but I think the world would be a different and better place had he not been murdered. I'm interested in learning more about his life during the mid to late 50's and very early 60's, so I'm looking forward to seeing the movie Nowhere Boy.

  9. I was poking around Tower Records.com for a Sabbath collection. Here is part of the Tower description about the band...

    "Known worldwide as the embodiment of heavy metal, England's Black Sabbath enveloped the 1970s in a dense fog of apocalyptic imagery, monolithic guitar riffs, and horror-movie lyrics."

  10. You have it all wrong. Chowder brought up the band Tull. 'And Chowder is not Joel. Take my word for it. And you know Im not and if you think I am go ask the mods. You are always way off. What is your problem? You always accuse people of being who they are not. That is why I had to take you off ignore to read your silly post

    You have me on your ignore list? Jesus Crackers!! I would never put ANYBODY on my ignore list.

  11. Wow, it seems you're actually being serious here, danelectro. I really thought you were kidding. Ok then, FWIW, here's my assessment:

    PARANOID: With the exception of Planet Caravan, which is a pleasant enough but essentially one-dimensional and repetitive groovy magic carpet ride, the whole album boils down to simple, heads-down-no-nonsense-mindless-boogie. The only variation within or between the songs is provided by jarring time-changes and the Frankenstein-esque welding together of incongruous segments. Admittedly, this was one of the Sabs' trademarks, but in their early days it made for frankly comical listening at times, and it took them until SBS to master the art of linking the disparate passages to create a flowing, cohesive whole. Iommi's soloing is repetitive and generally directionless, somewhat akin to a cat chasing its tail, and is widely accepted as not being his strongest suit. Ozzy's vocals are strong but one-dimensional, and he was and remains incapable of carrying a ballad, or emoting anything other than anger or insanity.

    LZII: Whilst still principally founded on basic blues structures, the song construction and balance was a vast progression from LZI, which I have always seen as a fairly grey, almost dismal album. But by LZII, their construction of segmental songs was vastly superior to that of the Sabs. WLL and BIOH, for example, move through various differing sections, but those sections form a pleasing and logical coalescence. Plant's deftness of touch on WIAWSNB, Thank You and Ramble On were a joy to behold, and something Ozzy could only dream of achieving. Page's riffing was considered, varied and sensibly paced. The expressiveness and variety of his soloing is evident and undeniable throughout, but peaks on Ramble On and WIAWSNB. The balance, poise and elegance of his slide solo in the latter is one of his high-water marks IMO, and that song alone is an object lesson in the 'light and shade' for which LZ are rightly revered, and which the Sabs almost totally lacked.

    As for the rhythm sections, whenever the going gets tough, Ward and Butler are all over the place, but JPJ and Bonzo stay tight as a gnat's chuff throughout. And Moby Dick OWNS Rat Salad.

    You have waaaaaay too much time on your hands.

  12. Hey there SM, sorry about that, I think I got you confused with your good friend 'Jethro Tull'. But it's an easy mistake to make - you two are alike in so many ways.

    Not really. Joel has had dozens of identities here. I've only had one.

  13. ln just over a week on the air, Tull radio is smashing the charts. Tull radio is #9 (Top 2%) in classic, #7 in prog, and #57 (Top 7%) among all Live365® rock stations. Better yet, Tull radio is tops among both official and single rock band stations beating Santana, the Rolling Stones, the Beatles, Led Zeppelin, and others. Tull radio has also been awarded a coveted "Editor's Pick" choice for its quality.

    Tull Radio

  14. During a recent episode of Tom Petty's Buried Treasure show on XM, he made a comment about playing all the best in Rock, Rhythm & Blues but promised no Jethro Tull tunes. What's Tom have against the Tull?

    Tom wouldn't be the first to make a comment of that nature. Maybe he was trying to be controversial? I've been a fan of his from the early days, enjoy his XM show and like the guy. He seems more of a early Rolling Stones, Eddie Cochran type fan. Prior to the Aqualung LP, Tull's blues influence and hard rock were more obvious. With Aqualung, Ian wanted his fans to start thinking and maybe that's where the likes of Tom Petty got lost. Ian started writing about his views on organized religion and the Catholic church. The Catholic church didn't really get it, but Ian has had various clegy contact him through the years praising him for his perception.

    "If Jesus saves well, He'd better save Himself

    from the gory glory seekers who use His name in death.

    Oh Jesus save me!"

    This all being said, comparing Tull during their heyday (1971 through around 1978) to Petty during his heyday, Tull caused riots, sold out multiple shows at arenas and stadiums. I'm not even sure what you would consider Petty's heyday, granted Petty has aged much better. And hey Petty was a Wilbury.

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