Jump to content


  • Content Count

  • Joined


About Nutrocker

  • Rank
    Zep Head
  • Birthday 02/29/1968

Profile Information

  • Gender
  • Location
    The Beautiful Okanogan

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Or something like Yes' Tales From Topographic Oceans tour, where EVERY song was an epic (the four Oceans pieces themselves are 20 mins each)...short attention spans need not apply!
  2. Here's a fine version that came out in the last couple of years, matrixing the 'best' audience sources, plus the added bonus of the three soundboard tracks and a few selections from an alternate audience source: https://www.collectorsmusicreviews.com/led-zeppelin/led-zeppelin-pleeease-lord-fourth-night-at-the-garden-graf-zeppelin-lzsc-611a-b-c-d/ 6/11/77...best "No Quarter" of the entire fucking tour, in my not so 'umble opinion...
  3. A few months back a fresh master transfer was made of the classic cut-in-between-songs 4/28/77 recording, overseen by Andy Winston (of Winston Remasters fame) himself. There is also an alternate source recording of the show that finally surfaced among the general public a year or so back (it was being hoarded up till then); the alternate is almost as good as the main source and is more complete (i.e. not cut between songs, has the ending of "No Quarter" etc). There's also a matrix version that uses the alternate to patch the main source...can't go wrong with any of those ones!
  4. I imagine the Noise Solos were kind of a "You had to be there" kind of thing (as eyewitnesses like Strider have said). Something definitely gets lost in translation when listening back on an audience tape fourty odd years after the fact. And yeah, "Star Wars" must have been huge in '77, Rick Wakeman and Keith Emerson both started liberally throwing in "Star Wars" and "Close Encounters" quotes in some of their keyboard solos in that period.
  5. $42 bucks, eh? That's about what I paid per ticket for Pink Floyd in '94...26 years on you could probably stick a "1" in front of that 42.
  6. Strider was actually there, man, one of the lucky ones around these parts who doesn't just have to relive the tour vicariously through old recordings 43 years after the fact!
  7. It's what happens when you actually put in a little bit of legwork and digging, instead of just sitting round the forum discussing the merits of the LA '77 shows for the umpteenth time or arguing about what fucking blouse Plant was wearing on a given night😆 Stuff like this old film footage or audience tapes still popping up after all these years are what collectors like myself thrive on.
  8. Now all we need is for a recording to turn up...
  9. I'll tell ya what, though, JPJ's 8 string Alembic comes across a helluva lot better on the audience tapes than Greg Lake's does on the '77/'78 ELP shows...twangety twang twang twang...😄 At least with Jones you can hear actual notes being played and not just a bunch of metallic sounding clicks that are supposed to be a bass line...
  10. Not gonna lie- as nice as it is that these tapes are still popping up out of the blue after all these years, I listened to that Louisville alt once and into the Recycle Bin it went😄 "Mess" is an understatement. Use the thing to patch the gap in ALS and then bin the rest IMO...
  11. I admit this new Detroit '73 tape was a far more enjoyable listen than that chopped up, distorted mess of a Louisville '77 alt source...😄
  12. I would imagine Mike Millard was well aware of his stature among the fans and collectors, and from what I understand about the guy his reaction was decidedly Freezeresque- those guys hated seeing other people making money off their recordings...not just Zeppelin, but the umpteen Stones, Yes, Dylan etc shows they taped as well. We may kiss Millard's ass posthumously, but I bet it'd be different story if the guy was still around and active within the online live music trading community in 2020...
  13. The main issues with this second Louisville source are how the recording levels are set too high- major distortion on the drums and low end. If the taper actually knew what the fuck they were doing this tape would sound damned good. The quieter bits and the acoustic set sound alright. A fair bit of cuts are evident as well- for example "No Quarter" is about the first six minutes of the piece, it cuts off at the beginning of JPJ's piano solo (D'OH!). Safe to say if the first source didn't exist we'd all be pretty chuffed right now but as it is this second source pales in comparison to Louisvill
  • Create New...