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Hercky

Countdown thread

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18 days til showtime

18th day of December, 2006 -- Ahmet Ertegun was buried in the Garden of Sufi Tekke, Özbekler Tekkesi in Sultantepe, Üsküdar, İstanbul, next to his brother, his father, and his shaikh great-grandfather Şeyh İbrahim Edhem Efendi, who was once the head of the tekke in his native Turkey. At the garden were hundreds of mourners, including his wife Mica, members of the Ertegün family, Turkish dignitaries and entertainers. :(

Aged 83, Ahmet Ertegün was injured after a fall at a Rolling Stones performance in New York on October 29, 2006 for the 60th birthday of former US President Bill Clinton. Ertegün slipped and hit his head backstage. Although he was initially in stable condition, Ertegün soon took a turn for the worse. This announcement was made by Led Zeppelin's Jimmy Page during the band’s induction into the UK Music Hall of Fame. Ertegün slipped into a coma and died later, with his family by his side, at New York-Presbyterian Hospital-Weill Cornell Medical Center.

“Few people have had a bigger impact on the record industry than Ahmet,” David Geffen, the entertainment mogul, said “and no one loved American music more than he did.”

Mr. Geffen said that Mr. Ertegun “started me in the record business” in 1970 by helping to finance his first record company, Asylum, “just as he gave many independent entrepreneurs the chance to start their own companies.”

Mr. Ertegun was the dapper son of a Turkish diplomatic family. He was equally at home at a high-society soiree or a rhythm and blues club, the kind of place where, in the 1950s, he found the performers who went on to make hits for Atlantic Records, one of the most successful American independent music labels.

He was an astute judge of both musical talent and business potential, surrounding himself with skillful producers and remaking R&B for the pop mainstream. As Atlantic Records grew from a small independent label into a major national music company, it became a stronghold of soul, with Aretha Franklin and Otis Redding, and of rock, with the Stones, Led Zeppelin and Yes.

Ever conscious of the music’s roots, Mr. Ertegun was also a prime mover in starting the Rock and Roll Hall of Fame and Museum. In a music career marked by numerous lifetime achievement awards, he was inducted into the hall in 1987.

Mr. Ertegun said he fell in love with music when he was 9. In 1932, his older brother, Nesuhi, took him to see the Duke Ellington and Cab Calloway orchestras at the Palladium Theater in London. The beauty of the jazz, the power of the beat and the elegance of the musicians made a lasting impression.

His instincts were not impeccable. He lost out on chances to sign the Beatles and Elvis Presley. But in an industry in which backstabbing is commonplace, Mr. Ertegun was admired as a shrewd businessman with a passion for the creative artists and the music he nurtured.

Along with a partner, Herb Abramson, Mr. Ertegun founded Atlantic Records in 1947 in an office in a derelict hotel on West 56th Street in Manhattan. His initial investment of $10,000 was borrowed from his family dentist.

By the 1950s, Atlantic developed a unique sound, best described as the mixed and polygamous marriage of Mr. Ertegun’s musical loves. He and his producers mingled blues and jazz with the mambo of New Orleans, the urban blues of Chicago, the swing of Kansas City and the sophisticated rhythms and arrangements of New York.

Mr. Ertegun often signed musicians who had been seasoned on the R&B circuit, and pushed them toward perfecting their performances in the recording studio. Every so often, with his name spelled in reverse as Nugetre, Mr. Ertegun appeared as the songwriter on R&B hits like “Chains of Love” and “Sweet Sixteen.”

In 1954, Atlantic released both “I Got a Woman” by Ray Charles and “Shake, Rattle and Roll” by Joe Turner. (Mr. Ertegun was a backup singer on “Shake, Rattle and Roll.”) The songs had a good beat, and people danced to them. They were among the strongest roots of rock and roll.

After his brother Nesuhi joined Atlantic in 1956, the label attracted many of the most inventive jazz musicians of the era, including Coltrane, Charles Mingus, the Modern Jazz Quartet and Ornette Coleman. In 1957, Atlantic was among the first labels to record in stereo.

By the 1960s, often in partnerships with local labels like Stax in Memphis, Mr. Ertegun was selling millions of records by the leading soul musicians of the day, among them Ms. Franklin and Mr. Redding. Ms. Franklin had recorded previously for Columbia Records, but her hits for Atlantic — which merged her gospel roots with an earthy strength and sensuality — were the ones that made her the Queen of Soul.

Mr. Ertegun’s music partnerships, he sometimes pointed out, were often culturally triangular. He was Turkish and a Muslim by birth. Many of his fellow executives, like the producer Jerry Wexler, were Jewish. The artists they produced, particularly when the label began, were black. Together, they helped move rhythm and blues to the center of American popular music.

Mr. Ertegun and Ioana Maria Banu were married on April 6, 1961. Known as Mica, she became a prominent interior designer. She survives him, as does a sister. Nesuhi Ertegun died in 1989.

The Ertegun brothers and their partner, Mr. Wexler, sold the Atlantic label to Warner Brothers-Seven Arts in 1967 for $17 million in stock. Four years later, the brothers took some of the money and founded the New York Cosmos soccer team.

But Mr. Ertegun kept making records. When Kinney National Service — a conglomerate of parking lots, funeral parlors, rental cars and other unmusical enterprises — completed the acquisition of Warner Brothers-Seven Arts in 1969, he and his label kept going.

Mr. Ertegun was now a rock mogul. Atlantic Records signed the Stones to a distribution deal when the band’s contract with Decca Records ended; Led Zeppelin; and Crosby, Stills & Nash, who became Crosby, Stills, Nash & Young after Mr. Ertegun persuaded Neil Young to join the group. The corporations changed — Kinney turned into Warner Communications, which became Time Warner — but Atlantic and its founder still flourished.

It remained one of the only record labels of the 1940s to survive the multibillion-dollar mergers and acquisitions of the 1990s in more than name only, with its founder still in charge. Mr. Ertegun reduced his daily corporate duties in 1996 but remained an inveterate night-clubber, avid concertgoer and insatiable music maven well into his 80s.

Ahmet Ertegun was born in Istanbul on July 31, 1923. His father, Mehmet Munir, was the legal counselor to Kemal Ataturk, the founder of modern Turkey.

In 1925, Ataturk sent the elder Ertegun to serve as the Turkish representative to the League of Nations. In the next 20 years, he was the Turkish ambassador to Switzerland, to France, to the Court of St. James under King George V and to the United States during the Roosevelt administration. The young Ahmet grew up in that worldly realm. His father, then the dean of the diplomatic corps in Washington, died in 1944.

That year, at 21, having earned a bachelor’s degree at St. John’s College in Annapolis, Md., Mr. Ertegun was taking graduate courses in medieval philosophy at Georgetown University.

“In between, I spent hours in a rhythm and blues record shop in the black ghetto in Washington,” he told the graduates of Berklee College of Music in Boston on receiving an honorary degree in 1991. “Almost every night, I went to the Howard Theater and to various jazz and blues clubs.”

“I had to decide whether I would go into a scholastic life or go back to Turkey in the diplomatic service, or do something else,” he said. “What I really loved was music, jazz, blues, and hanging out.” And so, he told the students, he did what he loved.

Remember, It is a tribute to this man that caused Led Zeppelin to reunite.

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There's that confounded bridge thread. :lol: Thanks, Hercky!

18 days til showtime

Remember, It is a tribute to this man that caused Led Zeppelin to reunite.

You're absolutely right, my friend.

Audrey, AllTheKingsHorses and other Winners of the Loser's Club, is it still on for Dec. 10th? :drunk:

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There's that confounded bridge thread. :lol: Thanks, Hercky!

You're absolutely right, my friend.

Audrey, AllTheKingsHorses and other Winners of the Loser's Club, is it still on for Dec. 10th? :drunk:

Heck ya were still on.

Although I have not seen Allthekingshorses on the board yet. Have you? Should we call the police and file a missing person's report on her?

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Hello Ladies!!!! and Hercky... I love you for starting the Countdown Thread! :)

We're still on for the 10th!

It is 17 days, 10 hours, 11 minutes and 12 seconds until Monday, December 10, 2007 (London time)

Edited by allthekingshorses

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17 days and counting

17th day of January 1969 -- Led Zeppelin's debut album, Led Zeppelin, was released in America to capitalise on the band's first U.S. concert tour. Before that, Atlantic Records had distributed a few hundred advance white label copies to key radio stations and reviewers. A positive reaction to its contents, coupled with a good reaction to the band's opening concerts, resulted in the album generating 50,000 advance orders. It stayed on the Billboard chart for 73 weeks and held a 79-week run on the British chart. The album was a massive fiscal success. In Stephen Davis' biography of the band, Hammer of the Gods, it is documented that Peter Grant put the cost of the album at £1,750 (including artwork). By 1975 it had grossed $7,000,000.

In an interview for the Led Zeppelin Profiled radio promo CD (1990), Jimmy Page said that the album took only about 36 hours of studio time (over a span of a few weeks) to create (including mixing), adding that he knows this because of the amount charged on the studio bill. One of the primary reasons for the short recording time was that the material selected for the album had been well rehearsed and pre-arranged by the band on Led Zeppelin's tour of Scandinavia in September 1968. In addition, since the band had not yet signed their deal with Atlantic Records, Page and Led Zeppelin manager Peter Grant paid for the sessions entirely themselves, thus there was no record company money to waste on excessive studio time.

Led Zeppelin was produced by Jimmy Page and engineered by Glyn Johns. The album was recorded on an analog 4-track machine, which helped to give the record its warm sound. Page reportedly used natural room ambience to enhance the reverb and recording texture on the record, demonstrating the innovations in sound recording he had learned during his session days. Up until the late 1960s, most music producers placed microphones directly in front of the amplifiers and drums. For Led Zeppelin Page developed the idea of placing an additional microphone some distance from the amplifier (as far as twenty feet) and then recording the balance between the two. By adopting this "distance equals depth" technique, Page became one of the first producers to record a band's "ambient sound" -- the distance of a note's time-lag from one end of the room to the other.

Another notable feature of the album was the "leakage" on the recordings of Robert Plant's vocals. In an interview Page gave to Guitar World magazine in 1998, Page stated that "Robert's voice was extremely powerful and, as a result, would get on some of the other tracks. But oddly, the leakage sounds intentional."

On "You Shook Me" Page used his "backward echo" technique, which involved hearing the echo before the main sound instead of after it, achieved by turning the tape over and employing the echo on a spare track, then turning the tape back over again to get the echo preceding the signal. Page had originally developed the method when recording the single "Ten Little Indians" with The Yardbirds in 1967.

Edited by Hercky

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16 days ..tick toc tick toc

16th day of May 1966 -- Drummer Keith Moon, bass player John Paul Jones, keyboardist Nicky Hopkins, Jeff Beck and Jimmy Page recorded "Beck's Bolero" in London's IBC Studios. The experience gave Page an idea to form a new supergroup featuring Beck, along with The Who's John Entwistle on bass and Keith Moon on drums, however the lack of a quality vocalist and contractual problems brought the project to a halt.

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Time until Monday, December 10, 2007 (London time)

14 days

341 hours

20470 minutes

1228230 seconds

OMG. I can't believe it's in 2 weeks. I have to officially accept that I am not going.

Edited by allthekingshorses

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9 days to go!!!!

9th day of January, 1944 -- James Patrick Page was born in the west London suburb of Heston, which today forms part of the London Borough of Hounslow. His father was an industrial personnel manager and his mother was a doctor's secretary. In 1952 they moved to Miles Road, Epsom. Jimmy Page first picked up the guitar when he was 12 years old and although he took a few lessons in nearby Kingston, was largely self-taught. His early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley, and Johnny Halliday, who played guitar for The Everly Brothers. The Presley song "Baby Let's Play House" was an early favourite on one of his first electric guitars, a second hand 1959 Futurama Grazioso. Page's musical tastes also encompassed acoustic folk playing, particularly that of Bert Jansch and John Renbourn, and the blues sounds of Elmore James and B.B. King. At the age of 14, Page appeared on Huw Wheldon's All Your Own talent quest programme in a skiffle duo, a popular English music genre of the time. One performance was televised. Page said in an interview with Guitar Player magazine, "There was a lot of busking in the early days, but as I say, I had to come to grips with it, and it was a good schooling."

Page would take a guitar to school each day and have it confiscated and handed back to him at 4.00 pm. He was interested in science and had an interview for a job as a Laboratory Assistant, but he chose to leave school to pursue music instead and after brief stints backing Beat poet Royston Ellis and singer Red E. Lewis, Page was asked by singer Neil Christian to join his band The Crusaders. Page toured with Christian for approximately two years and later played on several of his records, including the November 1962 single, "The Road to Love".

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8 days until liftoff!!!

8th day of November, 1971 -- Led Zeppelin's fourth album was released. There was no indication of a title nor band name on the original cover, but on the LP label four symbols were printed 50px-Zoso_svg.png. The band were motivated to undertake this initiative by their disdain for the media, which labelled them as hyped and overrated. In response, they released the album with no indication of who they were in order to prove that the music could sell itself. The album is variously referred to as Four Symbols and The Fourth Album (both titles were used in the Atlantic Records catalogue), and also IV, Untitled, Zoso, Runes, Sticks, Man With Sticks, and Four. It is still officially untitled and most commonly referred to as Led Zeppelin IV. In an interview with Rolling Stone magazine in 2005, Plant said that it is simply called The Fourth Album.

As of July 31, 2006, it has sold 23 million copies in the U.S., making it one of the top four best selling albums in the history of the U.S. music industry. Worldwide, it ranks at number eleven in album sales.

The painting on the front of the album, showing an old man carrying a faggot, was allegedly purchased from a junk shop in Reading, Berkshire by a Led Zeppelin roadie (Jimmy Page has stated it was bought by Robert Plant) and affixed to the internal, papered wall of the partly demolished house for the photograph to be taken. 'The man with the sticks on his back' can also refer to the biblical Cain, who in legend was said to have ended his journeys on the moon, contributing to the image on the face of the moon. Film critic Robert Ring has also suggested that the picture might be a reference to the 1920s witchcraft documentary Häxan: Witchcraft through the Ages. In the film, there is a similar-looking witch, and inside the bundle of sticks are body parts from a thief hung on the gallows. This would be fitting, given Page's interest in hermetic studies. The house and surrounding area in the picture are by Butterfield Court in the Eve Hill area of Dudley; the use of Eve Hill may be an in-joke ["Ev-il"] by the band, as could be dudley ["Dead-ly"}

The tower block on the back cover is of Butterfield Court in Dudley, England (not the now demolished Prince of Wales Court, as is sometimes incorrectly stated). Butterfield Court can be seen, owing to it being 20-stories high and on top of a ridge, 25 miles away in rural Worcestershire and Shropshire and on a clear day, over 45 miles away in Wales.

The inside sleeve represents the tarot card of the Hermit it was painted by Barrington Coleby (the name is misspelled on the album sleeve), a friend of Jimmy Page's who lives in Switzerland. Contrary to some sources, there is no hidden "Black Dog" in the painting.

The typeface for the lyrics to "Stairway to Heaven", printed on the inside sleeve of the album, was Page's contribution. He found it in an old arts and crafts magazine called Studio which started in the late 1800s. He thought the lettering interesting and got someone to work up a whole alphabet.

744px-Zoso_svg.png

The four symbols on the cover of Led Zeppelin IV, represent Jimmy Page, John Paul Jones, John Bonham, and Robert Plant (from left to right) respectively. Although the symbols are sometimes referred to as "Runes", only the middle two are runes; the other two are sigils.

Each member of the band chose a personal emblem for the cover. Left to right, their members and meanings:

Jimmy Page's symbol is generally referred to as "ZoSo", though its symbols have nonalphabetic connotations. It was designed by Page himself. The source of the ZoSo symbol itself is no longer a mystery but the meaning of it still is; it originated in 'Ars Magica Arteficii' (1557) by Gerolamo Cardano (also known as J. Cardan), an old alchemical grimoire, where it has been identified as a sigil consisting of zodiac signs. The sigil is reproduced in "Dictionary of Occult, Hermetic and Alchemical Sigils" by Fred Gettings, published in 1982 by Routledge & Kegan Paul. The symbol used to represent the planet Saturn for purposes of magic. Page is a Capricorn, a sign ruled by Saturn, and the Z-like symbol is distinctive as a common astrological mark for Saturn. The oSo portion is similar to the alchemic symbol for mercury, also associated with Saturn. In cabalistic or hermetic study, knowledge seekers look to the god Mercury (Hermes, see Hermes Trismegistus and the Hermetica) for guidance and light, more or less the scene that unfolds in the drawing on the inside cover of the album and later acted out by Page in the concert film The Song Remains the Same. This part of the symbol is also strikingly similar to the Lucifer script ciphered by Aleister Crowley in his book The Equinox; and the symbol as a whole strongly resembles characters of the "alphabet of the Magi", a seventeenth century text used for fashioning magical talismans. What it means personally to Page is unknown, as he has never publicly revealed its meaning. His interest in Aleister Crowley, however, is widely known. The guitarist owns many of Crowley's original manuscripts and other effects, including (until the mid-1980s) Crowley's former home on Loch Ness, Boleskine House. In the 1970s Page owned the occult bookshop The Equinox in London, also an enterprise for publishing rare manuscripts.

John Paul Jones' symbol is a single circle intersecting 3 vesica pisces (a triquetra). Taken from a book of runes, it symbolises a person with confidence and competence.

John Bonham's symbol, the three interlocking rings, represents the trinity of mother, father and child. It could also depict an aerial view of a drum kit. It does in fact represent the pagan idea of trilogies and trios, and, more commonly, is a Christian symbol for the Trinity. In the 1990 Bonham tribute radio special, "It's Been A Long Time", son Jason Bonham stated that the symbol was chosen as a representation of man, woman, and child. Jones's and Bonham's symbols fitting together -- one to the other inside out, inverse images -- is no accident. In jazz music which inspired Led Zeppelin, the bassist and drummer form interlocking parts of a rhythm section. In reality the symbol originally appeared as the emblem of Ballantine beer, which happened to be Bonzo's favorite so when choosing symbols he decided to borrow this one.

The symbol for Robert Plant is the feather of the Egyptian goddess Ma'at, representing truth, justice, fairness and writing, encapsulated by an unbroken circle representing life. According to Egyptian mythology, Anubis, the god of judgment and death, would take the heart of those who died and put it on a balance with the feather of Ma'at. If the heart outweighed the feather, the person's soul would go to hell, but on the other hand, if the heart was lighter than the feather, the soul would go to heaven.

Edited by Hercky

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5 days to go - CAN YOU FEEL IT YET?!?!?happy2.gif

party0003.gifparty0003.gifparty0003.gifparty0003.gif

5th day of October, 1970 -- Led Zeppelin III, the third album by Led Zeppelin, was released by Atlantic Records. It was recorded between January and July 1970 at Olympic Studios, London and Headley Grange, East Hampshire, then mixed at Ardent Studios, Memphis in August 1970 during Led Zeppelin's sixth American concert tour. The album was produced by guitarist Jimmy Page and engineered by Andy Johns.

It has been suggested that Led Zeppelin III was something of a watershed release for the band, as it marked a change from Page's domination of the first two albums towards a more democratic affair in which all four group members offered up their own compositions and ideas - a pattern that would continue in future sessions. The album added acoustic and folk rock elements to the band's established rock and blues repertoire, which also helped endear the band to progressive rock fans. However, some detractors attacked the heavier tracks as being mindless noise, whilst the acoustic material was criticised by others for imitating the music of Crosby, Stills, Nash & Young, mostly because reviewers often overlooked the acoustic songs on previous albums, thinking that the band was trying to bank in on the success of Crosby, Stills, Nash & Young. Page said in an interview with Cameron Crowe that "when the third LP came out and got its reviews, Crosby, Stills and Nash had just formed. That LP had just come out and because acoustic guitars had come to the forefront all of a sudden: LED ZEPPELIN GO ACOUSTIC! I thought, Christ, where are their heads and ears? There were three acoustic songs on the first album and two on the second." Although these negative reviews had a slight effect on sales at the time, Led Zeppelin III was still a trans-Atlantic #1 hit. Sales eventually lagged in the wake of Led Zeppelin I and II, but with the passage of time III's reputation has recovered considerably.

The album contains two of Led Zeppelin's most well-known songs "Immigrant Song" and "Since I've Been Loving You". The first of these, written by Jimmy Page and Robert Plant, is about the Norse invasions of England and was inspired by the band's recent performances in Iceland. "Since I've Been Loving You" is a classic, original blues in the key C minor featuring heartfelt interplay by all four group members. It would become a performance staple of Led Zeppelin concerts, especially from 1971 through 1973, replacing Willie Dixon's "I Can't Quit You Baby" from the first album as the band's slow blues showcase. Other fan favorites from the album were the rock songs "Celebration Day" and "Out on the Tiles", and the acoustic tracks "Bron-Y-Aur Stomp" and "That's the Way", the latter considered by many critics to be a breakthrough for still-developing lyric writer Plant. The song "Gallows Pole" is actually an arrangement of a traditional folk song by that name, also recorded by Lead Belly some thirty years earlier.

Led Zeppelin III's original vinyl edition was packaged in a gatefold sleeve with an innovatory cover, designed by Zacron, (working as a full-time multi-media artist) and a long established friend of Jimmy Page. The cover and interior gatefold art consisted of a surreal collection of seemingly random images on a white background, many of them connected thematically with flight or aviation (as in "Zeppelin"). Behind the front cover was a rotatable card disc, or volvelle, covered with more images, including photos of the band members, which showed through holes in the cover. Moving an image into place behind one hole would usually bring one or two others into place behind other holes. This could not be replicated on a conventional cassette or CD cover, but there have been Japanese and British CDs packaged in miniature versions of the original sleeve. In France this album was released with a different album cover, simply showing a photo of the four band members.

The concept of a volvelle, based on crop rotation charts, was an idea in Jimmy Page's mind but Zacron, who had been working on a series of rotating books and graphics at the Royal Academy from 1966, brought his own experience to the cover 'We had a meeting of minds' Zacron said at the time. The first pressings of the album included the phrases "Do What Thou Wilt" and "So Mote Be It", inscribed on the record itself. This phrase is from the core tenet of Aleister Crowley's philosophy of Thelema: "Do what thou wilt shall be the whole of the law. Love is the law, love under will. There is no law beyond do what thou wilt." Page is a scholar of Crowley's work, and owns one of the world's most extensive private collections of Crowley manuscripts, artwork and other ephemera. In the 1970s Page even bought one of Crowley's residences ("Boleskine House"), which was situated on the shores of Loch Ness in Scotland.

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Only two more days of work then its the final countdown !! to sunday morning when we travel up to London !!!

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4 Days left - Are YOU ready?!?!

peace1.gifband3.gifdrinking.gif

4th day of December, 1980 -- Led Zeppelin issued a press statement confirming that the band would not continue without Bonham. "We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."blue.gif

27 years ago almost to the day!

Edited by Hercky

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4 Days left - Are YOU ready?!?!

peace1.gifband3.gifdrinking.gif

4th day of December, 1980 -- Led Zeppelin issued a press statement confirming that the band would not continue without Bonham. "We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."blue.gif

27 years ago almost to the day!

I was 7 years old. Didn't even know who they were yet.

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4 Days left - Are YOU ready?!?!

peace1.gifband3.gifdrinking.gif

4th day of December, 1980 -- Led Zeppelin issued a press statement confirming that the band would not continue without Bonham. "We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."blue.gif

27 years ago almost to the day!

I am getting ready as it all starts tonight as I am off to see a Zep tribute band tonight, then on Monday its the big one...i am very excited !!

Edited by leddy

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3 Days remaining - How do you feel?banana2.gif

3rd day of June, 1977 - After a Led Zeppelin concert at Tampa Stadium was cut short because of a severe thunderstorm, a riot broke out amongst the audience, resulting in several arrests and injuries. Police ultimately resorted to tear gas to break up the crowd.

LedIII.jpg

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I'm gonna be on the train 48 hours from now...about an hour away from Manchester with about 3 hours to go 'til I get to London. I think.

Haha.

Eeeeee!!

I have to work all day tomorrow...it's just like a big monolith in the way of my fun at the moment. As soon as I finish my shift on Saturday evening I'm gonna need a Tena Lady, I think. :unsure::lol:

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15 hours and we will be setting off to go !! I have a mixture of excitement, apprehension and guilt !! but I cannot wait for the party to start !!! :)

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Setting off at midday tomorrow... Can't wait! So excited! Listenng to Zep now and just imagining the gig. I think I'll just burst into tears. Bless me!

See you all there and here's to an awesome, inspiring and hell of a monster gig. Hope no-one has heart failure! Including the band...

Minx xx

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3 Days remaining - How do you feel?banana2.gif

3rd day of June, 1977 - After a Led Zeppelin concert at Tampa Stadium was cut short because of a severe thunderstorm, a riot broke out amongst the audience, resulting in several arrests and injuries. Police ultimately resorted to tear gas to break up the crowd.

LedIII.jpg

Still think this is one of best album covers ever. Especially when we were really buying albumds and not CD's. I have always thought of it as the "acoustic album". I couldnt belive that some teenagers I knew got into this one first. Usually its II or IV and when you are truly hooked on Zeppelin you star to get into the other albums. Oh yeh-you asked how we felt? Those of us without tickets feel left out but in a way I am very happy because now there is hope. a light at the end of a dark tunnel. The US will see them again!

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