I attended September 4 midnight show, this is all LZ footage that I remember is from Fillmore East (nice but brief B&W footage at the beginning and then the well known color portion, both from the same angle), Laurel's, Communication Breakdown B&W 1969 Promo, Tous En Scene, Cleveland Musicarnival (July 20,1969 very far brief framing of the stage from outside a big circus tent, pointless), Bath Festival 1969, Supershow, Texas Pop Festival, Danish TV.Then there was BBC's ICQYB and "Sugar Mama" with some B&W footage again nothing unseen even if I don't remember correctly what mix of footage was used, they also used quick sequences of pictures from a 1969 concert to make them cheaply looking like a video...Studio images for LED ZEP II are again just sequencies of well known pictures, the songs used are chopped portions of the multitracks we learned to know from the bootlegsThe live footage with actual sound is Tous En Scene (CB), Danish TV (HMMT incomplete), Supershow (D&C) and WIAWSNB form RAH 1970 used as the closing for the documentary left of screen during WIAWSNB run all the credits of the song performed and I think of all the footage as well but it was very fast and with very small fonts some parts are very tricky, a casual viewer or a normal fan could think that the behind the studio desks scenes or the audiences footage are really connected to Led Zeppelin and the music they are listening to in that moment but they are not, there is not a single frame where you can see the band together with the people and the scenes involved in those sequences but everything is perfectly synchronized and fitted that you can be easily fooled.Considering the above in the end I do think that the documentary is very well done, very professionally done but Shepperton’s sequences in TSRTS are actually more appropriate to the context of it than most of those mashups are to this one dadgad

I think this fragment circulated back in 2010 already