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NEWSFLASHBACK: Salt Lake Tribune May 27 1973


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LED ZEPPELIN ZOOMS FOR FRENZIED CROWD

Salt Lake Tribune, Sunday May 27, 1973

by David Proctor

IN music writer

Like four British Caesars Led Zeppelin came, saw and conquered a frenzied,

sold-out Salt Palace audience Saturday night.

Easily the most elaborately staged rock performance ever seen in Salt Lake

City, it will be remembered for years to come.

Messrs. Page, Plant, Jones and Bonham are in the midst of a $3-million

nationwide tour and the 11,000 plus fans here probably will be the smallest

crowd they encounter. But it didn't seem to affect Zeppelin in the least. In

fact, they seemed to enjoy the audience contact - something you don't

encounter before 58,000 people in a baseball stadium.

LIGHTS, MIRRORS

The Salt Palace stage was a collage of lighting scaffolds, spotlights, huge

banks of speakers, various light-reflecting devices, 14-foot-high mirrors and,

of course, the four stars themselves. Super-singer Robert Plant and Jimmy Page

fronted the band and drew most of the attention while the rhythm section of

bassist-keyboardist John Paul Jones and drummer John Bonham supplied the

music's foundation.

*Rock and Roll* one of Zeppelin's better recent songs opened the two-hour

show.

It's a song that really moves - but sets a pace that's impossible to maintain.

So they slipped into some slower material from their new *Houses of the Holy*

album.

PATTERN CONTINUES

The band continued the fast-slow pattern through most of the night -

alternating older, familiar tunes with new album cuts. Also in the format were

Page's guitar breaks of varying lengths during almost every song. Most of the

time, he carried it off admirably, but inevitably he began to repeat himself.

But preciseness wasn't the object. It was the flash...the excitement...the

theatrics...the total audience involvement that Zeppelin was after. They

succeeded - and then some.

It was remarkable that a concert which generated such advance excitement - and

was performed before such an enthusiastic audience - was kept under such

control. Most of it was due to restraint on the part of the audience. They

were exemplary.

20 MINUTE SHOWCASE

*Dazed and Confused* was stretched out to a 20-minute showcase for Page and

the special effects staff. Using a violin bow on his guitar and a delayed-echo

system, Page had the sound bouncing from one side of the stage to the

other. At times, it circled. When it began to be redundant, they moved quickly into

*Stairway to Heaven,* one of the finest songs they've ever written. John Paul

Jones' work on the synthesizer was beautiful throughout the concert but

especially on this number.

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LED ZEPPELIN ZOOMS FOR FRENZIED CROWD

Salt Lake Tribune, Sunday May 27, 1973

by David Proctor

IN music writer

Like four British Caesars Led Zeppelin came, saw and conquered a frenzied,

sold-out Salt Palace audience Saturday night.

Easily the most elaborately staged rock performance ever seen in Salt Lake

City, it will be remembered for years to come.

Messrs. Page, Plant, Jones and Bonham are in the midst of a $3-million

nationwide tour and the 11,000 plus fans here probably will be the smallest

crowd they encounter. But it didn't seem to affect Zeppelin in the least. In

fact, they seemed to enjoy the audience contact - something you don't

encounter before 58,000 people in a baseball stadium.

LIGHTS, MIRRORS

The Salt Palace stage was a collage of lighting scaffolds, spotlights, huge

banks of speakers, various light-reflecting devices, 14-foot-high mirrors and,

of course, the four stars themselves. Super-singer Robert Plant and Jimmy Page

fronted the band and drew most of the attention while the rhythm section of

bassist-keyboardist John Paul Jones and drummer John Bonham supplied the

music's foundation.

*Rock and Roll* one of Zeppelin's better recent songs opened the two-hour

show.

It's a song that really moves - but sets a pace that's impossible to maintain.

So they slipped into some slower material from their new *Houses of the Holy*

album.

PATTERN CONTINUES

The band continued the fast-slow pattern through most of the night -

alternating older, familiar tunes with new album cuts. Also in the format were

Page's guitar breaks of varying lengths during almost every song. Most of the

time, he carried it off admirably, but inevitably he began to repeat himself.

But preciseness wasn't the object. It was the flash...the excitement...the

theatrics...the total audience involvement that Zeppelin was after. They

succeeded - and then some.

It was remarkable that a concert which generated such advance excitement - and

was performed before such an enthusiastic audience - was kept under such

control. Most of it was due to restraint on the part of the audience. They

were exemplary.

20 MINUTE SHOWCASE

*Dazed and Confused* was stretched out to a 20-minute showcase for Page and

the special effects staff. Using a violin bow on his guitar and a delayed-echo

system, Page had the sound bouncing from one side of the stage to the

other. At times, it circled. When it began to be redundant, they moved quickly into

*Stairway to Heaven,* one of the finest songs they've ever written. John Paul

Jones' work on the synthesizer was beautiful throughout the concert but

especially on this number.

:banana::banana::banana:

Far F'n out .

Where in the heck did you find that!! I was there, third row, on the aisle.

And I sort of remember the writer.

Awesome!

BadCo4.jpg

woo hoo !

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:chickeddance:

mmhmmnn...... :DB)

It was !

And another reason we were good was because they PUT SEATS ON THE FLOOR of the salt palace.

And back then people were just nicer, nobody moshed and squashed like now.

* yeah, I know, granny here.*

But It was so cool to have such a great concert without worring about getting killed.

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:banana::banana::banana:

Far F'n out .

Where in the heck did you find that!! I was there, third row, on the aisle.

And I sort of remember the writer.

Awesome!

BadCo4.jpg

woo hoo !

I've got well over 8,000 Led Zeppelin press articles in my personal archive. This one in particular one does not yet appear on the Timeline portion of the website. I tried to post it there but the server is unavailable so I put it here hoping the webmasters can include it in the timeline.

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I've got well over 8,000 Led Zeppelin press articles in my personal archive. This one in particular one does not yet appear on the Timeline portion of the website. I tried to post it there but the server is unavailable so I put it here hoping the webmasters can include it in the timeline.

That is so cool, I have wanted to document the concerts here in SLC, I still hope to get around to it someday.

We were OFTEN, often NOT on the "tour intinerary." Why? I have no clue, because we got some of the hottest acts all the time. All the Brits came to town.

I have seen a few listings of Zep's tours and they only list us once or twice maybe.

They played here EVERY tour But the last.

Kudos to your collection, that is great.

Yeah, Joel, we were polite....I guess................ :D

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I have wanted to document the concerts here in SLC, I still hope to get around to it someday.

I've yet to find a review of the July 30th 1969 show at the Terrace Ballroom. If you

could discover one that would be cool. I do have a review of the March 26th 1970

show at the Salt Palace which I'll post when I find it. These are the details (it was actually a negative review):

Salt Lake Tribune 3/27/70 'Group's Nothing to Get Excited About' by George Raine

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I've yet to find a review of the July 30th 1969 show at the Terrace Ballroom. If you

could discover one that would be cool. I do have a review of the March 26th 1970

show at the Salt Palace which I'll post when I find it. These are the details (it was actually a negative review):

Salt Lake Tribune 3/27/70 'Group's Nothing to Get Excited About' by George Raine

Yes! I was there as well, they were second billing with Vanilla Fudge, they played two shows. :banana:

The Terrace has an awesome history, best small venue I've been to. The roof was solid wood, making the sound so incredibly good! So many fond memories there. Demolished. :(

Ah, well, some of the localsmocals were stupid morons. George Raine was obviously one of the most stupid.

I know of one man here who knows everything, he runs a used/rare bookstore called KenSanders Books. He has concert posters from all those oldies in the late 60's early 70's.

When I get a chance I'll see what he's got.

:beer:

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