[Did Presence have a bad mix?]

Apart from Achilles and Nobody's Fault, which sound great, the other songs seemed to have a strange mix. Candy Store Rock for example, which I've ways assumed I hated until I listened again recently. It's not the song that bugs me, it's the weird mix. The bass and drums are Ok, but the delay and reverb on the guitar and vocals are just too much. The guitar is separated to far off to one side. I imagined this song having a "drier" mix like III or HOTH had, and realized it's a pretty catchy song with a mean guitar riff. 

Plant's vocals seem to have a deep hall reverb on them that almost sounds like wind blowing in places. Page's guitar fills that jump in and out on the sides of the balance also have a deep reverb that pushes the sound back in the mix. Very noticeable on Hots On For Nowhere.

Bonham does excellent drum work on Royal Orleans, but the drums sit low in the mix and don't have that dynamic sound he had on songs like In My Time, Night Flight, or The Ocean. I think overall this album simply lost that layered, dynamic tone they had previously. 

[Favorite/Best version of Since I've Been Loving You]

Robert's best performance of the song to me is the Vancouver 1970 (Pure Blues/Mudslide) version. My favorite overall performance is Osaka 71. Page plays in a much darker mood on this one. For a speedier, livelier version- Orlando 71.

[Updated Soundboard Wish List]

I just want a complete soundboard for the Orlando 71 show (Orlando Magic). My favorite Zep boot but the patches sound pretty bad and Whole Lotta Love cuts off during the medley, and probably my favorite live version of the song.

The Bath Festival 1970 would be great too, with Immigrant Song being performed for the first time and that wild rock medley at the end.