Bourré by J. S. Bach.
I'm also working on a coda à la the great Steve Howe. The coda is for Lay Lady Lay by Bob Dylan. I know, sorry, I talk about this song a lot. It's because I love this love song! Anyway, after the last verse, I'd play some chords like so:
A barre Chord
E-_A-_D-_G-_B-_E
*__|__|__|__*__*index ← 5th fr.
|__|__|__*__|__|middle
|__*__*__|__|__|ring, pinky
|__|__|__|__|___|
|__|__|__|__|___|
C♯m barre Chord
E-_A-_D-_G-_B-_E
|__*__|__|__|__*index ← 4th fr.
|__|__|__|__*__|
|__|__*__*__|__|
|__|__|__|__|__|
|__|__|__|__|__|
G barre Chord
E-_A-_D-_G-_B-_E
*__|__|__|__*__*index ← 3rd fr.
|__|__|__*__|__|middle
|__*__*__|__|__|ring, pinky
|__|__|__|__|___|
|__|__|__|__|___|
Bm barre Chord
E-_A-_D-_G-_B-_E
|__*__|__|__|__*index ← 2nd fr.
|__|__|__|__*__|
|__|__*__*__|__|
|__|__|__|__|__|
|__|__|__|__|__|
Last Verse
AStay lady C♯mstay G
Stay while the Bmnight is still a-Ahead.
A, C♯m, G, Bm
Then (here's the coda) I'd dramatically strum using cross-rhythms, (like the greats--Page & Howe) these chords:
A, Bm, C♯m, D, A. ✍
✍ For all these chords (except A), I'd fret it higher up the fretboard, like so: Bm, use the Em shape @ 7th fretC♯m, use the Em shape @ 9th fretD, use the 1st position A (not barred) shape @ 5th fret.End it all with A barre chord which is the F position @ 5th fret, pictured.OR, if you prefer, just play the coda chords like the ones pictured.
Hope this is not all mish-mash and confusing.