Judas Priest-Screaming for Vengeance Special 30th Anniversary Edition cd

[DavidZoso]

I am excited about this- the last one they did a few years back for British Steel was great.

JUDAS PRIEST : SCREAMING FOR VENGEANCE SPECIAL 30^TH ANNIVERSARY EDITION

Release date: Tuesday, September 4th, 2012

“One of the most important, influential and imitated bands ever…” – Kerrang

A vital part of rock history - Judas Priest have spent 4 decades writing classic songs and putting on spectacular live shows. During this period, the band has sold in excess of 30 million albums, and played to countless millions of fans across the globe. In 1982, they released their eighth studio album SCREAMING FOR VENGEANCE, containing their hugely successful You’ve Got Another Thing Coming, the single which proved that metal could get mainstream radio airplay in the US – leading the way for a whole generation of new metal bands.

To celebrate the 30 year anniversary of this epic release, Judas Priest present you with SCREAMING FOR VENGEANCE – SPECIAL 30^TH ANNIVERSARY EDITION, containing not only the re-mastered original album plus bonus tracks, but also a live DVD from the 1983 US Festival show, filmed in San Bernadino CA on 29^th May 1983.

The US Festival was intended to be a celebration of evolving technologies; a marriage of music, computers, television and people - organized by Steve Wozniak formerly of Apple Computer.

The SCREAMING FOR VENGEANCE – SPECIAL 30^TH ANNIVERSARY EDITION Live DVD was filmed at the second, and what turned out to be last, US Festival in 1983. The Sunday was the Heavy Metal Day -"It was the day new wave died and rock n' roll took over". It set the single-day concert attendance record for the US with an estimated 375,000 people.

Judas Priest have this to say about this memorable day in metal history:

‘On the day that we performed, we flew in by helicopter - and the first sight we saw was that of thousands of abandoned cars piled up around the crests of the hills that surrounded the festival arena, which as we went over took our breath away. For there below us, spread throughout hundreds of acres was a massive crowd – over three hundred thousand strong! The summer heat was raging and combined with the hot Santa Ana winds made for a scorching metal furnace on stage.’

CD tracklisting:

1. The Hellion

2. Electric Eye

3. Riding On The Wind

4. Bloodstone

5. (Take These) Chains

6. Pain And Pleasure

7. Screaming For Vengeance

8. You’ve Got Another Thing Coming

9. Fever

10. Devil’s Child

Bonus tracks:

11. *Electric Eye (live)

12. *Riding on the Wind (live)

13. *You’ve Got Another Thing Coming (Live)

14. *Screaming For Vengeance (Live)

15. Devil’s Child (live)

16. Prisoner of Your Eyes

* Live from the San Antonio Civic Center, September 10th 1982

DVD: US Festival Show - San Bernadino CA 29^th May 1983

1. Electric Eye

2. Riding On The Wind

3. Heading Out To The Highway

4. Metal Gods

5. Breaking The Law

6. Diamonds And Rust

7. Victim Of Changes

8. Living After Midnight

9. The Green Manalishi (with the two-pronged crown)

10. Screaming For Vengeance

11. You’ve Got Another Thing Coming

12. Hell Bent For Leather

Plus booklet featuring photos from Mark Weiss and sleeve notes written by Eddie Trunk (long -standing and well-respected US author, radio and television personality).

BIO: Since 1974, Judas Priest has been one of heavy metal’s most successful bands, issuing such all-time classic albums as BRITISH STEEL in 1980, SCREAMING FOR VENGEANCE in 1982, DEFENDERS OF THE FAITH in 1984 and PAINKILLER in 1990 and such arena-rocking anthems as Breaking the Law, Living After Midnight, and You’ve Got Another Thing Coming. However, Priest’s influence goes far beyond their music - they were the first metal band to embrace the ‘leather and studs look’, a fashion that has since become synonymous with the musical genre. Additionally, Rob Halford’s powerful four-and-a-half octave vocal range and the twin guitar harmonies of Glenn Tipton and K.K. Downing have been emulated by countless metal bands in Priest’s wake.

For more info visit

www.judaspriest.com

Edited July 24, 2012 by DavidZoso

[Stryder1978]

Although "Screaming for Vengeance" isn't my favorite Priest album, the bonus songs and especially the DVD makes this a fantastic treat for us fans! Thanks boys....I'll definitley buy a copy!

Thanks for the heads up DavidZoSo!

[Led_Rock_Hard]

I'll hopefully get this sometime.

Edited July 25, 2012 by Led_Rock_Hard

[Walter]

Although "Screaming for Vengeance" isn't my favorite Priest album, the bonus songs and especially the DVD makes this a fantastic treat for us fans! Thanks boys....I'll definitley buy a copy!

Thanks for the heads up DavidZoSo!

+1 My favorite disc growing up....will definitely pick up a copy of this and the DVD will be fantastic as well. I remember watching a concert MTV ran from that tour and taping the audio off the tv speakers as a kid - wore that one out!

[Strider]

Excellent news! My second favourite Priest album and a concert dvd from their prime period. Sept. 4 cannot get here soon enough. This will make a worthy companion to the 30th anniversary edition of British Steel.

Now if they would only do the same deluxe treatment for Point of Entry, their most underrated album.

[The Rover]

I'm IN ! !

SFV is my favorite JP album + The US Festival + and the San Antonio live tracks

Edited July 26, 2012 by The Rover

[luvlz2]

[The Rover]

Import CDs is now accepting pre-orders.

$12.09 Each

I ordered 2 copies for $28.66 (including S&H).

http://www.importcds.com/Music/2430579/Judas-Priest-Screaming-For-Vengeance-Special-30Th-Anniversary-E-CD

[DavidZoso]

Screaming For Vengeance 30th Anniversary Track by track comments by Rob Halford

1. The Hellion (Instrumental)

“We’d never done that type of opening before. And obviously it came from Glenn [Tipton, guitars] and Ken [K. K. Downing, former guitarist] at the time. I can’t really remember how it came together in the studio, was it one person? Was it collective? I don’t know. But we were always experimenting, always trying to do something that we hadn’t done previously. We were inspired by what Brian May was doing with a lot of the Queen stuff. We’ve always been big fans of Queen. But Brian was doing those same types of multi-guitar track things. As you get a bit more experienced in a band, you understand the value of setting the scene – we quickly thought, ‘We can use this as an intro tape.’ And we did. In terms of set-up, in terms of getting an audience’s attention, it just works magically, even now, when we did it at our last show at Hammersmith – once you start it, the audience just grabs onto it right away.”

2. Electric Eye

“I love the rhythmic set up on that song. Emotionally again, it starts roaring right from the opening bars. We’re a metal band and if you’re that sort of band it’s important that you make sure you have that type of attitude and approach within your first two or three tracks. It reinforces who you are and what you’re trying to do. The way that Electric Eye kicks off is very much a statement, an assertive statement… It’s a really good song and I think it’s just got the attitude and the in-your-face drama that Priest has always tried to put forward.”

3. Riding On The Wind

“I love the way Electric Eye and Riding On The Wind bash into each other. Riding… starts with that drum passage, that clattering, and then it just really roars off. It’s probably a stronger statement in terms of metal than Electric Eye is musically. It just has a wonderful sense of being determined and having that type of strong and forceful attitude to it. It’s about shooting for the stars. It pertains a bit to being on a bike, riding on the wind, that sort of thing. Lyrically I was trying to take the atmosphere of a lightning storm, or a hurricane, and riding on it and grabbing hold of it. It’s a glorious statement in terms of metal.”

4. Bloodstone

“I know I keep saying this, but I love the way that song starts. It’s got a really cool riff that Glenn came up with. Each of the tracks on the record start off with either an individual riff or something of a musical melodic passage that kind of sets the scene before the rest of the song kicks in. It’s got a great breakdown, this kind of rhythm where – I don’t know whether [ex-drummer] Dave Holland came up with it – it’s got that ‘k-chonk k-chonk k-chonk’ thing between the vocal phrases after the second line. Then he kind of snaps with the rhythmic ‘k-chonk’ and it’s a very unusual arrangement. It’s a little bit paranoid, because it talks about waking up in the night and being afraid of the game going on around you – I have no idea what that really means looking back!”

5. (Take These) Chains

“This was written by [Ceili Rain vocalist] Bob Halligan, Jr., a songwriter discovered by Columbia in America. We ended up doing a few of his songs over the years. The label knew we’d recorded other people’s songs before, and I think they must’ve had discussions saying, ‘Well at least the guys can understand the importance and value of what a song that could work on rock radio could do for them.’ They just sent the demo over and we immediately warmed to it. Again, I think whatever we’ve done in terms of a cover, we’ve had to fully understand that it can be given the Priest signature musically. It’s a wonderful song in terms of composure and the riffage in it. For the first time, maybe after what we were doing with [1981 album] Point Of Entry, we were feeling a bit more comfortable with talking about songs that dealt with relationships – it’s not really seen as a metal thing is it? But even metalheads have boyfriends and girlfriends.”

6. Pain And Pleasure

“I think we were drunk the night we wrote this. Really fucked up. I was out of my fucking tree! When you get drunk, some people get violent, some people get giggly and some people get horny – and I just generally got very horny. That’s just how I was in those days. Suddenly it’s a complete change of tempo and emotion. It’s a very simple song rhythmically, but you’re kind of delving into a little bit of S&M with the, ‘You give me pain but you bring me pleasure…’ line. That was the reason why we were attracted to the message in that song, we were fully ensconced in that leather image by that point. I love the slide guitar on that record, that’s very much in the blues world, there’s a portion of the blues that has that type of thing going for it.”

7. Screaming For Vengeance

“It’s very unusual. It starts instrumentally in a very unusual tempo and the riffs and everything… it’s not quite thrash, but it’s got that attitude about it. It’s really full-on and I get to use a voice that I don’t really use on the other tracks. Everything goes into top gear and I think it’s a wonderful complement to the way Pain And Pleasure has been slugging along like an 18-wheeler. Then suddenly the thing lifts off again – it’s easily the fastest song on the record.”

8. You’ve Got Another Thing Comin’

“That song has had a second lease of life because it’s on one of the Guitar Hero games. I met a guy recently whose 14-year-old son’s favourite song is …Another Thing Comin’, and he got to it via Guitar Hero. It’s is a song that’s transcended from place to place. It goes from a record onto radio, onto a cassette player, then onto a CD, and then to an MP3 and then to a video game. That’s a blessing for musicians really, that your songs reach people through ways that ordinarily you wouldn’t imagine.”

9. Fever

“I love the floaty, ethereal opening sequence. It’s got a wonderful tone to it. It’s got all these big multi-vocal tracks and this very dreamy landscape musically to it. I know that at the time we wrote it, Glenn and Ken were always being offered these new types of pedal board switches that would change the sound of the guitar. Some of the gear that was sent over at the time made the guitars sound like I’d never heard them before. It’s again, a lonesome, plaintive song. You get the image of this kind of… if you have an argument with somebody, sometimes you just like to slam out the house and just take a walk at night and I think that’s what that song is. It’s a contemplation song. It’s got this type of emotional relationship set-up in it. It’s like lost love. It’s a plaintive call to fix something that’s broken.”

10. Devil’s Child

“Again, it’s a strong statement and I think whereas Fever is a bit plaintive – maybe a little bit full of, not self-pity, but that kind of emotion – this is just the opposite. This is the real stuff, when you meet someone and your head blows off. It’s a very secure, aggressive statement about meeting somebody that has a twisted side. It’s got that wonderful rolling guitar riff on the chorus, that nice, flowing, almost picking groove to it. It’s a great way to end the album.”