And then there is this one, with one of the wickedest bass tones I ever heard. It has a heaviness, a full/round sound, but also so much grit and bite. Unreal.

You can hear Jones pretty well in this one.

Mike Millard recording of Yes at the LA Forum Sept 23, 1977. Just before Going for the One someone in the audience yells out for "Gates of Delirium". You gotta love it. Dig how Millard captured Squire's bass. Wow.

Here is the more balanced and more complete version of Hampton 1971 but the bass is still rather prominent.

Is is possible to have too much Jones? You be the judge.

Rocco Prestia was so amazing. This clip is labeled What is Hip but it starts out with Oakland Stroke. Rocco with David Garibaldi on drums - so excellent.

instrumental version

guitars101.com has them

Southampton 1-22-1973 There are several excellent remasters. Liriodendron, JRK, and most recently the stereo version by Northbridge

I saw them do Dancing Days Oct 24, 1995 in Philadelphia. It blew me away with the strings. It was pure genius to take that angular, dissonant riff and work it with the strings. this clip is from 5/17 Here is what I found on YouTube from the Philly show. We were about 10 rows back, dead center.

Just before Duane died. On this date Zeppelin were on the way to Japan. What a time for music.

Here is a compilation of 1975 Grame remasters. Download link is in the description.

As with many of these on YouTube there is a download link in replies to comments. In this case check all the replies to the first comment.

Yes indeed! My favorite Scarlet/Fire is May 13, 1977 at the Rosemont Horizon.

A good place to start is to listen to every 1975 soundboard you can find that has been remastered by Grame. HIs work is fantastic and brings out an already prominent bass even more. For example

Check out the guy in the audience at the start who says "That'll do !"

July 1970

During the Nationals game last night they played the WLL guitar solo between pitches at one point.

Clarence White pickin' away

I never got to see this on the big screen. Amazing film. Burton and Eastwood.

From JimmyPage.com today Sept 12 John Bonham: Tour de Force On this day in 1976, I was in the studios in Montreux Casino with John Bonham and engineer John Timperley to record Bonzo's Montreux. I had recently acquired an innovative piece of equipment, the Eventide Clock Works Harmonizer and I discovered one setting where you could arrive at a steel drum sound. I wanted to employ this colour, if possible, in the palette of John Bonham's drum orchestra project. He really liked it and it's quite heavily featured in the construction of the piece. When it came to be mixed, I used the keyboard with the Harmonizer to construct the final gliss-phrases. The percussion employed on this track with John Bonham's kit were overdubbed bass drums, snare drums, tom toms, timpani, timbale, congas, backwards echo and Harmonizer. I am sure John's inspiration came from the Brazilian Samba schools.